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Cosmic Threads
Worldings
Complementarities
Live(s) on Air
Cloud Cities: mise-en-Aéroscène
Tomás Saraceno in collaboration: Web(s) of Life
Oceans of Air
Entangled Air
Silent Autumn
Particular Matter(s)
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Inter + Play 2
we do not all breathe the same air
AnarcoAracnoAnacroArcano
Play-Ground
Life(s) of Webs
Du sol au soleil
Webs of Life
Museo Aero Solar: for an Aerocene era
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Songs for the Air
Moving Atmospheres
Event Horizon
Art Collaboration Kyoto, Online Artist Talk with Tomás Saraceno
Aerocene Forum
Who qualifies as a Subject of Rights? We no longer want to be a sacrifice zone!
Reparationen und Reparatur. Über Klimagerechtigkeit, Kolonialismus und Kapitalozän
7×7 2024
Life(s) of Webs, Panel Discussion and Film Screening
Aerocircus – eine circensische karnevaleske mit planwagen entgegen aller linearitäten
“The Crisis of Relationships” Masterclass
The Climate Hub, Climate Week NYC, Panel Discussion
Infinite Ecologies Marathon: The Prelude
Towards an Ecosocial Energy Transition: A Conversation and Manifesto
BBC HARDtalk Interview
Aria
Fly with Aerocene Pacha
Matter(s) for Conversation and Action
Invertebrate Rights for “Down to Earth”
Tomás Saraceno
Drift: A cosmic web of thermodynamic rhythms
Cloud Cities: du sol au soleil
Cloud Cities Barcelona
More-than-humans
Nggamdu.org
Ha Chi Ki
Tomás Saraceno
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Interspecies Conversations
ON AIR
Movement
Aerographies
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
Radio Galena
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
Tomás Saraceno. Aria at Cinema Odeon
Solar Rhythms
ALBEDO
A Thermodynamic Imaginary
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Sundial for Spatial Echoes
2-Dimensional Webs Archive/Maps and Traces
How to Entangle the Universe in a Spider Web
Gravitational Waves
Entangled Orbits
Tomás Saraceno at the Venice Biennale 2019
Event Horizon
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
Solar Bell Ensemble
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
“ON AIR live with…”
Our Interplanetary Bodies
Many suns and worlds
Aerosolar Journeys
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Spider/Web Oracle Readings Program
Stillness in Motion — Cloud Cities
Algo-r(h)i(y)thms
Cloud City
163,000 Light Years
Passages of Time
Particular Matter(s) Jam Session
Dark Cosmic Web
Hybrid solitary… semi-social quintet… on cosmic webs…
Cosmic Jive: The Spider Sessions
Becoming Aerosolar
Hybrid Webs
Irisdescent Planet
Arachnid Orchestra. Jam Sessions
Solar Bell
Silent Autumn
Ring Bell — Solar Orchestra and the Wind Structures
On the Roof: Cloud City
On Space Time Foam
Air-Port-City/Cloud Cities
Cloud-Specific
Cloud Cities
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
14 Billions (Working Title)
Observatory, Air-Port-City
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
In Orbit
Aerocene at COP21
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Biospheres
Lighter than Air
Flying Garden/Air-Port-City
Poetic Cosmos of the Breath
Cumulus
The air is restless, constantly in motion. A cubic inch of air holds 25 billion billion molecules, colliding and dispersing faster than the speed of sound. This perpetual movement creates a sound which is inaudible to us. What would it mean to listen to the particles?
In the installation Particular Matter(s) Jam Session (2018), visitors find themselves part of a rhythmic ensemble. A beam of light illuminates dust particles of domestic, earthly and cosmic origin. Cameras record the position and velocity of the particles in real time as they travel through space, transforming them into musical tones that are voiced through a set of speakers spread out across the space.
The frequencies produced by the choreographies of particles of dust resound in the threads of a spider/web. The vibratory movements produced by the spider in its web are amplified through a speaker that is positioned below the beam of light. This reverberation animates the particles, causing fluctuations and collisions. The presence of visitors in the space generates new variations in this evolving ecology.
Particular matter(s) is an exercise in attunement to bodies and forces on air—giving voice to the vibrations in the room, as if they were interspecies translators. Dust particles, the spider/web, visitors and the interplay of heat, electrostatics and air currents become the musicians of this interspecific jam session.