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Matter(s) for Conversation and Action

Particular Matter(s)

Silent Autumn

From Arachnophobia to Arachnophilia

Inter + Play 2

Ha Chi Ki

we do not all breathe the same air

Nggàm dù

Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées

AnarcoAracnoAnacroArcano

Du sol au soleil

Webs of Life

Movement

Museo Aero Solar: for an Aerocene era

Interspecies Conversations

Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality

The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno

Radio Galena

Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum

Up Close: Tomás Saraceno in conversation with Harriet A. Washington

How to hear the universe in a spider/web: A live concert for/by invertebrate rights

Songs for the Air

Moving Atmospheres

Event Horizon

Aria
Fly with Aerocene Pacha

Invertebrate Rights for “Down to Earth”

Spider/Web Pavilion 7

Arachnomancy Cards

Acqua Alta: en Clave de Sol

On the Disappearance of Clouds

Tomás Saraceno. Aria at Cinema Odeon

Sundial for Spatial Echoes

2-Dimensional Webs Archive/Maps and Traces

Algo-r(h)i(y)thms

Tomás Saraceno at the Venice Biennale 2019
More-than-humans

Arachnophilia Community Meeting with MIT Professor Markus J Buehler

Beyond the Cradle 2019: Space and the Arts

Engadin Art Talks: Grace and Gravity

How to entangle the universe in a spider/web?

Printed Matter(s)

Webs of At-tent(s)ion

Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno

ON AIR

The Politics of Solar Rhythms: Cosmic Levitation

Living at the bottom of the ocean of air

Sounding the Air

“ON AIR live with…”

Spider/Web Oracle Readings Program

Algo-r(h)i(y)thms

Passages of Time

Particular Matter(s) Jam Session

Solar Rhythms

A Thermodynamic Imaginary

Hybrid Webs

How to Entangle the Universe in a Spider Web
Silent Autumn
Gravitational Waves

Our Interplanetary Bodies

Aerosolar Journeys

Stillness in Motion — Cloud Cities

163,000 Light Years

Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project

Cosmic Jive: The Spider Sessions

Solar Bell

In Orbit

Ring Bell — Solar Orchestra and the Wind Structures

Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno

On the Roof: Cloud City

On Space Time Foam

Cloud Cities

14 Billions (Working Title)

Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web

Observatory, Air-Port-City

Poetic Cosmos of the Breath

Flying Garden/Air-Port-City
“The subliminal depths of radio are charged with the resonating echoes of tribal horns and antique drums. This is inherent in the very nature of this medium, with its power to turn the psyche and society into a single echo chamber.” —Marshall McLuhan.
Radio Galena is a mineral sonic sculpture. It comprises a stone wrapped in wire, which is not connected to the electrical grid. It uses neither batteries nor solar panels, and yet, it can function as a radio in certain parts of the atmosphere, entering into reverberation and receiving radio waves. It acts like a traditional crystal receptor, one of the first radio receptors ever invented. This “talking stone” focuses our attention on early and neglected forms of sound technology and tunes us into ecological frequencies. In the recent past, crystal radios were used as clandestine receivers in times of war, when regular radios were confiscated from civilians. Radio Galena can receive signals from the Mapuche radio station, which is used by a group of indigenous inhabitants in southern Argentina who advocate for their legal claim to land autonomy.
The concept of this stone reflects the multiplicity of our existence on Earth, and its signals can sometimes sound like a murmured warning against its undermining temporariness. One can imagine that geological strata are forming the book of Earth’s history. Each stone then becomes one sentence telling the history of its deep time. This radio stone questions us: How could the Earth reverberate differently if we attuned to “geological broadcasting” in a post–fossil fuel regime?

Radio Galena
Galena Stone, copper wire, epoxy resin, high impedance headphones, AM Transmitter.
Tomás Saraceno thanks Rafael Railaf and Mapuche Foundation FOUL.
Courtesy of the artist and Radio Mapuche at Multicultural Amsterdam Radio and Television,
Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; Tanya Bonakdar Gallery, New York/Los Angeles; Pinksummer Contemporary Art, Genoa; neugerriemschneider, Berlin .
© Tomás Saraceno
With Radio Galena, Tomás Saraceno was the 2017 recipient of the OGR Award, the sound art prize awarded by Artissima.