Drift: A cosmic web of thermodynamic rhythms
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Cloud Cities Barcelona
Matter(s) for Conversation and Action
From Arachnophobia to Arachnophilia
Inter + Play 2
Ha Chi Ki
we do not all breathe the same air
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Du sol au soleil
Webs of Life
Museo Aero Solar: for an Aerocene era
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Songs for the Air
Fly with Aerocene Pacha
Invertebrate Rights for “Down to Earth”
Spider/Web Pavilion 7
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Tomás Saraceno. Aria at Cinema Odeon
Sundial for Spatial Echoes
2-Dimensional Webs Archive/Maps and Traces
Tomás Saraceno at the Venice Biennale 2019
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
How to entangle the universe in a spider/web?
Webs of At-tent(s)ion
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
“ON AIR live with…”
Spider/Web Oracle Readings Program
Passages of Time
Particular Matter(s) Jam Session
A Thermodynamic Imaginary
How to Entangle the Universe in a Spider Web
Our Interplanetary Bodies
Stillness in Motion — Cloud Cities
163,000 Light Years
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cloud Cities Barcelona: Rotating Selection of Books
Cosmic Jive: The Spider Sessions
Ring Bell — Solar Orchestra and the Wind Structures
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
On the Roof: Cloud City
On Space Time Foam
14 Billions (Working Title)
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Poetic Cosmos of the Breath
“The subliminal depths of radio are charged with the resonating echoes of tribal horns and antique drums. This is inherent in the very nature of this medium, with its power to turn the psyche and society into a single echo chamber.” —Marshall McLuhan.
Radio Galena is a mineral sonic sculpture. It comprises a stone wrapped in wire, which is not connected to the electrical grid. It uses neither batteries nor solar panels, and yet, it can function as a radio in certain parts of the atmosphere, entering into reverberation and receiving radio waves. It acts like a traditional crystal receptor, one of the first radio receptors ever invented. This “talking stone” focuses our attention on early and neglected forms of sound technology and tunes us into ecological frequencies. In the recent past, crystal radios were used as clandestine receivers in times of war, when regular radios were confiscated from civilians. Radio Galena can receive signals from the Mapuche radio station, which is used by a group of indigenous inhabitants in southern Argentina who advocate for their legal claim to land autonomy.
The concept of this stone reflects the multiplicity of our existence on Earth, and its signals can sometimes sound like a murmured warning against its undermining temporariness. One can imagine that geological strata are forming the book of Earth’s history. Each stone then becomes one sentence telling the history of its deep time. This radio stone questions us: How could the Earth reverberate differently if we attuned to “geological broadcasting” in a post–fossil fuel regime?
Galena Stone, copper wire, epoxy resin, high impedance headphones, AM Transmitter.
Tomás Saraceno thanks Rafael Railaf and Mapuche Foundation FOUL.
Courtesy of the artist and Radio Mapuche at Multicultural Amsterdam Radio and Television,
Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; Tanya Bonakdar Gallery, New York/Los Angeles; Pinksummer Contemporary Art, Genoa; neugerriemschneider, Berlin .
© Tomás Saraceno
With Radio Galena, Tomás Saraceno was the 2017 recipient of the OGR Award, the sound art prize awarded by Artissima.