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Aria
Fly with Aerocene Pacha
Arachnomancy Cards
More-than-humans
Acqua Alta: en Clave de Sol
Spider/Web Pavilion 7
Tomás Saraceno at the Venice Biennale 2019
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
On the Disappearance of Clouds
Spider/Web Oracle Readings Program
Sundial for Spatial Echoes
ON AIR
Webs of At-tent(s)ion
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
A Thermodynamic Imaginary
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Particular Matter(s) Jam Session
How to entangle the universe in a spider/web?
Art Basel Miami – Hans Ulrich Obrist in conversation with Tomás Saraceno
“ON AIR live with…”
Algo-r(h)i(y)thms
Hybrid Webs
Gravitational Waves
Our Interplanetary Bodies
Aerosolar Journeys
Stillness in Motion — Cloud Cities
How to Entangle the Universe in a Spider Web
163,000 Light Years
Cosmic Jive: The Spider Sessions
Ring Bell — Solar Orchestra and the Wind Structures
Solar Bell
In Orbit
14 Billions (Working Title)
On Space Time Foam
Poetic Cosmos of the Breath
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Flying Garden/Air-Port-City
How do gravity and grace define current-day life in the digital age?
Tomás Saraceno delivered his lecture Falling upward in an ocean of air during Engadin Art Talks on Saturday 26 January, 2019, exploring the two conflicting forces of graceful fluidity and gravity, through the thermodynamic interplay embodied in the Aerosolar journeys of Aerocene. Tomás joined a variety of creative thinkers from diverse fields in Zouz, Switzerland, for the Talks programme, among them: Cecilia Bengolea, Francesco Bonami, Arno Brandlhuber, Elizabeth Diller, Ravit Helled, Lena Henke, Thomas Hirschhorn, Isabel Nolan, Smiljan Radic, Heji Shin, Juergen Teller, led by Daniel Baumann (Director of the Kunsthalle Zurich), Bice Curiger (Artistic Director of the Fondation Vincent van Gogh Arles), Hans Ulrich Obrist (Artistic Director of the Serpentine Galleries London) and Philip Ursprung (Professor for the History of Art and Architecture at ETH Zurich).