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Worldings
Play-Ground
Life(s) of Webs
Complementarities
Live(s) on Air
Tomás Saraceno in collaboration: Web(s) of Life
Oceans of Air
Silent Autumn
Drift: A cosmic web of thermodynamic rhythms
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Cloud Cities Barcelona
Matter(s) for Conversation and Action
Particular Matter(s)
From Arachnophobia to Arachnophilia
Inter + Play 2
Ha Chi Ki
we do not all breathe the same air
Nggamdu.org
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
AnarcoAracnoAnacroArcano
Du sol au soleil
Webs of Life
Movement
Museo Aero Solar: for an Aerocene era
Interspecies Conversations
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
Radio Galena
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Songs for the Air
Moving Atmospheres
Event Horizon
Aria
Fly with Aerocene Pacha
Invertebrate Rights for “Down to Earth”
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Tomás Saraceno. Aria at Cinema Odeon
Sundial for Spatial Echoes
2-Dimensional Webs Archive/Maps and Traces
Algo-r(h)i(y)thms
Tomás Saraceno at the Venice Biennale 2019
More-than-humans
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
ON AIR
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
“ON AIR live with…”
Spider/Web Oracle Readings Program
Algo-r(h)i(y)thms
Passages of Time
Particular Matter(s) Jam Session
Solar Rhythms
A Thermodynamic Imaginary
Hybrid Webs
How to Entangle the Universe in a Spider Web
Silent Autumn
Gravitational Waves
Our Interplanetary Bodies
Aerosolar Journeys
Stillness in Motion — Cloud Cities
163,000 Light Years
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cloud Cities Barcelona: Rotating Selection of Books
Cosmic Jive: The Spider Sessions
Solar Bell
In Orbit
Ring Bell — Solar Orchestra and the Wind Structures
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
On the Roof: Cloud City
On Space Time Foam
Cloud Cities
14 Billions (Working Title)
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Observatory, Air-Port-City
Poetic Cosmos of the Breath
Flying Garden/Air-Port-City
At the warming hand of aerosolar rhythms, Tomás Saraceno’s Poetic Cosmos of the Breath inhales upward, its glowing body ripples through the sun’s gaze in a cascading invitation to sense out new choreographies of perception.
For the International Artist Airshow in London’s Gunpowder Park, commissioned by the Arts Catalyst, the artist was invited to present the dynamic installation. Poetic Cosmos of the Breath is a solar dome with a diameter that reaches upward of 60 metres: a glowing production of fine iridescent foil, anchored at the bottom of the ocean of air with sandbags on the ground. At the turn of dawn on September 22nd 2007, the billowing sculpture slowly inflated with air, its body growing in conversation with the sun. Aided by a group of participants, Poetic Cosmos of the Breath is a performative event and an invitation to collectively attune to the natural rhythms encircling us above: the clouds, the sun and meandering spheres of planetary currents.
As the sun rises, air inside the sculpture heats up, causing it to lift and elevate the iridescent foil into a cascade of reflective and refractive scapes. The irradiating surface of the foil illuminates in alignment with Gunpowder Park’s natural environment, redirecting and expanding the reflections of the sky and its ever changing, boundary-blurring weather patterns.
In his artistic practice, Saraceno expands on the aesthetic experience as a synesthetic moment, encouraging its viewers to ponder the gamut and boundaries of our sensorial perception. The iridescent surface traces solar rays, casting a kaleidoscope of colours, shadows and reflections inward. Air and light lend the sculpture its amorphous form, inviting a shift in our perceptual norms, engendering the imaginative capacities of humans to consider different modes of being and futural dreaming – ones that embodies a symbiotic relationship with the Earth, the sun and its theatre of atmospheric entities.