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Matter(s) for Conversation and Action

Particular Matter(s)

Silent Autumn

From Arachnophobia to Arachnophilia

Inter + Play 2

Ha Chi Ki

we do not all breathe the same air

Nggàm dù

Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées

AnarcoAracnoAnacroArcano

Du sol au soleil

Webs of Life

Movement

Museo Aero Solar: for an Aerocene era

Interspecies Conversations

Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality

The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno

Radio Galena

Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum

Up Close: Tomás Saraceno in conversation with Harriet A. Washington

How to hear the universe in a spider/web: A live concert for/by invertebrate rights

Songs for the Air

Moving Atmospheres

Event Horizon

Aria
Fly with Aerocene Pacha

Invertebrate Rights for “Down to Earth”

Spider/Web Pavilion 7

Arachnomancy Cards

Acqua Alta: en Clave de Sol

On the Disappearance of Clouds

Tomás Saraceno. Aria at Cinema Odeon

Sundial for Spatial Echoes

2-Dimensional Webs Archive/Maps and Traces

Algo-r(h)i(y)thms

Tomás Saraceno at the Venice Biennale 2019
More-than-humans

Arachnophilia Community Meeting with MIT Professor Markus J Buehler

Beyond the Cradle 2019: Space and the Arts

Engadin Art Talks: Grace and Gravity

How to entangle the universe in a spider/web?

Printed Matter(s)

Webs of At-tent(s)ion

Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno

ON AIR

The Politics of Solar Rhythms: Cosmic Levitation

Living at the bottom of the ocean of air

Sounding the Air

“ON AIR live with…”

Spider/Web Oracle Readings Program

Algo-r(h)i(y)thms

Passages of Time

Particular Matter(s) Jam Session

Solar Rhythms

A Thermodynamic Imaginary

Hybrid Webs

How to Entangle the Universe in a Spider Web
Silent Autumn
Gravitational Waves

Our Interplanetary Bodies

Aerosolar Journeys

Stillness in Motion — Cloud Cities

163,000 Light Years

Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project

Cosmic Jive: The Spider Sessions

Solar Bell

In Orbit

Ring Bell — Solar Orchestra and the Wind Structures

Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno

On the Roof: Cloud City

On Space Time Foam

Cloud Cities

14 Billions (Working Title)

Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web

Observatory, Air-Port-City

Poetic Cosmos of the Breath

Flying Garden/Air-Port-City
Inter+Play is Towada Art Center’s ongoing three-part exhibition to celebrate the tenth anniversary of Arts Towada, a city-wide initiative that promotes art throughout the city along its main thoroughfare Kanchogai Avenue. The second season will take place from Saturday, September 18, 2021 to Monday, January 10, 2022, and features the visionary artist Tomás Saraceno, whose work is part of the center’s permanent collection. Visitors will be invited into the floating and interconnected worlds of Aerocene and Arachnophilia, the artist’s open-source, community projects, calling for environmental justices and interspecies cohabitation through renewed relationships with the terrestrial, atmospheric and cosmic realms.
Saraceno’s international and interdisciplinary practice challenges dominant ways of inhabiting and sensing the environment, continuously redefining the place of artistic production in the face of destructive habits and subjugated forms of knowledge. The artist’s solo exhibition will fill the entirety of the center’s gallery spaces, marking the largest display of his work ever held at a Japanese museum.
Jorōgumo, a Yōkai of Japanese mythology that exists in the liminal space between woman and spider, serves as one of our guides into Saraceno’s exhibition. Featured in two of the artist’s three new Arachnomancy Cards, Jorōgumo blurs species boundaries and invites us to attune to a plane of radical interconnectedness, challenging hierarchical, patriarchal, and colonial power structures and celebrating those alternative forms of knowing and inhabiting the world that survive and subvert the homogenizing impulse of the Capitalocene, opening spaces for inter-species recognition. An extension of its cognitive system, the spider’s web allows for communication with the greater world through vibration, mapping its consciousness along threads like the neural map of our own brain. The 33 cards that make the Arachnomancy deck draw on this extended cognition, transforming it into an instrument of mediation, one of the many ways to consult spider/web oracles, messengers between perceptual worlds.
The oracle in the third Arachnomancy card created specifically for this exhibition is Argyroneta aquatica japonica, a Japanese subspecies of the water spider Argyroneta aquatica, featured in Saraceno’s short film Living at the bottom of the ocean of air, also on display at Towada Art Center. The unique behaviour of this spider reveals the capacity of certain species to transform their way of life to adapt to new environments, posing the question: Can the destructive logic of the Capitalocene be altered in response to climate change, zoonosis and species extinction caused by some humans?
Throughout the exhibition, Tomás Saraceno’s collaborations with spiders and the atmosphere offer a moment of transcendence, celebrating forms of wisdom that subvert the hierarchical relationship through which some organize the world and inviting us to reattune to the web of coexistence as it manifests at Towada Art Center.

Installation view at Inter+ Play 2, Towada, 2021. Courtesy of the artist. Photography by Oyamada Kuniya.

Aerocene Backpack AEO30, 2017, installation view at Inter+ Play 2, Towada, 2021. Courtesy of the artist. Photography by Oyamada Kuniya.

Solitary semi-social solitary mapping of Larawag by a solo Nephila senegalensis – three weeks, a triplet of Cyrtophora citricola – five weeks, a solo Psechrus jaegeri – two weeks, 2019, installation view at Inter+ Play 2, Towada, 2021. Courtesy of the artist. Photography by Oyamada Kuniya.