Invertebrate Rights for “Down to Earth”
Fly with Aerocene Pacha
Acqua Alta: en Clave de Sol
Spider/Web Pavilion 7
Tomás Saraceno at the Venice Biennale 2019
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
On the Disappearance of Clouds
Spider/Web Oracle Readings Program
Sundial for Spatial Echoes
Webs of At-tent(s)ion
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
A Thermodynamic Imaginary
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Particular Matter(s) Jam Session
How to entangle the universe in a spider/web?
Art Basel Miami – Hans Ulrich Obrist in conversation with Tomás Saraceno
“ON AIR live with…”
Our Interplanetary Bodies
Stillness in Motion — Cloud Cities
How to Entangle the Universe in a Spider Web
163,000 Light Years
Cosmic Jive: The Spider Sessions
Ring Bell — Solar Orchestra and the Wind Structures
14 Billions (Working Title)
On Space Time Foam
Poetic Cosmos of the Breath
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Printed Matter(s) is a series of photo giclée prints made with an ink of black carbon PM2.5 pollution sequestered from the air in Mumbai, printed on eight-gram handmade paper. These prints reproduce images of cosmic dust from a 1982 special issue of the NASA Cosmic Dust Catalog, entangling the celestial and the terrestrial, the cosmic and the atmospheric. An approximated 40,000 tons of interplanetary dust falls to the surface of Earth every year; a speck of cosmic material touches every person every day everywhere around the world. Just as a speck of cosmic dust carries geologic history, the extent of the Capitalocene as a proposed geological epoch resonates through one mote of PM2.5, expressing the tension between the micro and the macro as infinite timelines and disparate scales collapse into singular particles. In these prints, the material with which the air has been poisoned becomes a tool for the air to communicate, reminding us of its ever-present agency even in the face of efforts to destroy it. Printed Matter(s) builds a visual bridge that spans several billion years in an attempt to inspire a more sensitive and conscientious coexistence with the environment and other species.
Printed Matter(s), 2018
The series Printed Matter(s) is printed with ink made of black carbon PM2.5 pollution, sequestered from the air of Mumbai.
The image comes from a special issue of NASA Cosmic Dust Catalogue, April 1982, printed on 8 gram handmade paper, photo giclée.
Courtesy the artist; Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; Tanya Bonakdar Gallery, New York/Los Angeles; Pinksummer Contemporary Art, Genoa; Esther Schipper, Berlin.
© Tomás Saraceno