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Tomás Saraceno in collaboration: Web(s) of Life
Oceans of Air
Silent Autumn
Drift: A cosmic web of thermodynamic rhythms
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Cloud Cities Barcelona
Matter(s) for Conversation and Action
Particular Matter(s)
From Arachnophobia to Arachnophilia
Inter + Play 2
Ha Chi Ki
we do not all breathe the same air
Nggamdu.org
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
AnarcoAracnoAnacroArcano
Du sol au soleil
Webs of Life
Movement
Museo Aero Solar: for an Aerocene era
Interspecies Conversations
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Radio Galena
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Songs for the Air
Moving Atmospheres
Event Horizon
Aria
Fly with Aerocene Pacha
Invertebrate Rights for “Down to Earth”
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Tomás Saraceno. Aria at Cinema Odeon
Sundial for Spatial Echoes
2-Dimensional Webs Archive/Maps and Traces
Algo-r(h)i(y)thms
Tomás Saraceno at the Venice Biennale 2019
More-than-humans
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
ON AIR
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
“ON AIR live with…”
Spider/Web Oracle Readings Program
Algo-r(h)i(y)thms
Passages of Time
Particular Matter(s) Jam Session
Solar Rhythms
A Thermodynamic Imaginary
Hybrid Webs
How to Entangle the Universe in a Spider Web
Silent Autumn
Gravitational Waves
Our Interplanetary Bodies
Aerosolar Journeys
Stillness in Motion — Cloud Cities
163,000 Light Years
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cloud Cities Barcelona: Rotating Selection of Books
Cosmic Jive: The Spider Sessions
Solar Bell
In Orbit
Ring Bell — Solar Orchestra and the Wind Structures
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
On the Roof: Cloud City
On Space Time Foam
Cloud Cities
14 Billions (Working Title)
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Observatory, Air-Port-City
Poetic Cosmos of the Breath
Flying Garden/Air-Port-City
Seemingly, everyday lifestyles are guided more and more by the automated reasoning of algorithms, meanwhile their engineering sits in the hands of a few corporate actors. Algo-r(h)i(y)thms uses technology as an opportunity to extend cognition, to feel the weaving in which all things, humans included, are caught up.
In Spanish, “algo” means “something” and this is first and foremost a space where you encounter rhythmic somethings. It is a sonic and vibrating landscape, a superorganism pulsing into sym-bio-poietic arrangements, where vibrations do not only co-exist, but intra-act in symbiotic alliances across complex reciprocal networks. Jamming, never unilateral and never between two fixed entities, these bodies, living and nonliving, shape the musical composition as much as they are constantly shaped and reshaped by it.
The signals that the participants rearrange come from disparate places and speak other idioms: polluting particles and temperature differentials, supernovas and distant galaxies, shifting temperatures and weather patterns, local spiders’ vibrational communication. From infinitely small to infinitely large, these movements between nested scales cause the room to shift in response: the lights fade, echoes increase. And in the darkness, the room enlarges infinitely, much like the expanding universe, asking those present to listen, or else face the eternal silence of extinction. As the installation breathes to the cosmic and microscopic rhythms that entangle, a new togetherness, forming emergent sensitivities, arises.
Algo-r(h)i(y)thms is an invitation to expand modes of communication and to pay at-tent(s)ion not only to human world algorithms. Which synaesthetic modes of perception do we need to re-sense the world we live with? Algo-r(h)i(y)thms opens up channels of communication and sociality that cross the borders between senses and species.