...
Songs for the Air

Radio Galena

Invertebrate Rights for “Down to Earth”

Moving Atmospheres

Event Horizon

Aria
Fly with Aerocene Pacha

Printed Matter(s)

Arachnomancy Cards
More-than-humans

Acqua Alta: en Clave de Sol

Spider/Web Pavilion 7

Tomás Saraceno at the Venice Biennale 2019

Arachnophilia Community Meeting with MIT Professor Markus J Buehler

On the Disappearance of Clouds

Spider/Web Oracle Readings Program

Sundial for Spatial Echoes

ON AIR

Webs of At-tent(s)ion

Beyond the Cradle 2019: Space and the Arts

Engadin Art Talks: Grace and Gravity

A Thermodynamic Imaginary

The Politics of Solar Rhythms: Cosmic Levitation

Living at the bottom of the ocean of air

Sounding the Air

Particular Matter(s) Jam Session

How to entangle the universe in a spider/web?

Art Basel Miami – Hans Ulrich Obrist in conversation with Tomás Saraceno

“ON AIR live with…”

Algo-r(h)i(y)thms

Hybrid Webs
Gravitational Waves

Our Interplanetary Bodies

Aerosolar Journeys

Stillness in Motion — Cloud Cities

How to Entangle the Universe in a Spider Web

163,000 Light Years

Cosmic Jive: The Spider Sessions

Ring Bell — Solar Orchestra and the Wind Structures

Solar Bell

In Orbit

14 Billions (Working Title)

On Space Time Foam

Poetic Cosmos of the Breath

Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web

Flying Garden/Air-Port-City
Silky airborne scores… constellations of musical notes made of cosmic dust, traces of movement in the air, trajectories of falling stars… a sonic journey… through multiverses… a 4 billions years old tour… cosmic resonance… How to Entangle the Universe in a Spider Web, spans two galleries within Museo de Arte Moderno de Buenos Aires with two immersive installations as the result of a decade’s worth of interdisciplinary artistic research. The universe is represented by a network of interconnections in which each element expands and transforms the others, reconfiguring their material and social boundaries. Suspended filaments of webs and swirling formations of dust foreground a floating journey through the ‘cosmic web’ where endless connections that would otherwise be overlooked are made tangible.
The Cosmic Dust Spider Web Orchestra, entangles the space in a rhythmic ensemble. A light beam makes cosmic dust visible in a dimly lit room. Through a live three-dimensional video recording, the floating dust particles are tracked and sonified. Their sounds, determined by their position and the speed at which they travel through space, are amplified and spatialized over a set of over 25 loudspeakers.
Quasi-Social Musical Instrument IC 342 built by 7000 Parawixia bistriata – six months, features the largest three-dimensional spider web ever exhibited. Shiny filaments, galactic clouds and clusters appear as extended ripples of a micro- and macrocosmos of cooperation while interconnected threads woven by thousands of quasi-social spiders from the Argentinian Parawixia bistriata species appear through the air. These drawings in the air, made by an estimated 40 million threads, reveal the trajectory of cosmic dust particles.