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Cosmic Threads
Worldings
Complementarities
Live(s) on Air
Cloud Cities: mise-en-Aéroscène
Tomás Saraceno in collaboration: Web(s) of Life
Oceans of Air
Entangled Air
Silent Autumn
Particular Matter(s)
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Inter + Play 2
we do not all breathe the same air
AnarcoAracnoAnacroArcano
Play-Ground
Life(s) of Webs
Du sol au soleil
Webs of Life
Museo Aero Solar: for an Aerocene era
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Songs for the Air
Moving Atmospheres
Event Horizon
Art Collaboration Kyoto, Online Artist Talk with Tomás Saraceno
Aerocene Forum
Who qualifies as a Subject of Rights? We no longer want to be a sacrifice zone!
Reparationen und Reparatur. Über Klimagerechtigkeit, Kolonialismus und Kapitalozän
7×7 2024
Life(s) of Webs, Panel Discussion and Film Screening
Aerocircus – eine circensische karnevaleske mit planwagen entgegen aller linearitäten
“The Crisis of Relationships” Masterclass
The Climate Hub, Climate Week NYC, Panel Discussion
Infinite Ecologies Marathon: The Prelude
Towards an Ecosocial Energy Transition: A Conversation and Manifesto
BBC HARDtalk Interview
Aria
Fly with Aerocene Pacha
Matter(s) for Conversation and Action
Invertebrate Rights for “Down to Earth”
Tomás Saraceno
Drift: A cosmic web of thermodynamic rhythms
Cloud Cities: du sol au soleil
Cloud Cities Barcelona
More-than-humans
Nggamdu.org
Ha Chi Ki
Tomás Saraceno
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Interspecies Conversations
ON AIR
Movement
Aerographies
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
Radio Galena
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
Tomás Saraceno. Aria at Cinema Odeon
Solar Rhythms
ALBEDO
A Thermodynamic Imaginary
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Sundial for Spatial Echoes
2-Dimensional Webs Archive/Maps and Traces
How to Entangle the Universe in a Spider Web
Gravitational Waves
Entangled Orbits
Tomás Saraceno at the Venice Biennale 2019
Event Horizon
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
Solar Bell Ensemble
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
“ON AIR live with…”
Our Interplanetary Bodies
Many suns and worlds
Aerosolar Journeys
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Spider/Web Oracle Readings Program
Stillness in Motion — Cloud Cities
Algo-r(h)i(y)thms
Cloud City
163,000 Light Years
Passages of Time
Particular Matter(s) Jam Session
Dark Cosmic Web
Hybrid solitary… semi-social quintet… on cosmic webs…
Cosmic Jive: The Spider Sessions
Becoming Aerosolar
Hybrid Webs
Irisdescent Planet
Arachnid Orchestra. Jam Sessions
Solar Bell
Silent Autumn
Ring Bell — Solar Orchestra and the Wind Structures
On the Roof: Cloud City
On Space Time Foam
Air-Port-City/Cloud Cities
Cloud-Specific
Cloud Cities
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
14 Billions (Working Title)
Observatory, Air-Port-City
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
In Orbit
Aerocene at COP21
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Biospheres
Lighter than Air
Flying Garden/Air-Port-City
Poetic Cosmos of the Breath
Cumulus
While enterprises to colonize other planets accelerate, this very same interface between us, the Sun and atmosphere continues to be compromised: carbon emissions fill the air, invisible radio waves develop in a hegemonic algorithm of finance, particulate matter floats inside our lungs. How would breathing feel in a post fossil fuel economy, and what is our response-ability?
Solar Rhythms suggests a model for a landscape that balances our relationship with, and harnesses the unlimited potential of the Sun. This realization requires a thermodynamic leap of imagination, much like during an eclipse, when only in the absence of light do we become aware of our scale in the shadow of the cosmos. In that moment of alignment between Sun, Moon and Earth, we understand that we rely on a reciprocal alliance between the elements and effects, the shifting winds, the exchange of heat and momentum and the diffusing reflection of solar radiation towards the cosmic extent.
The exhibition at Tanya Bonakdar Gallery presented a series of new sculptures and installations that emerged from the ongoing Aerocene project, an interdisciplinary artistic endeavor that seeks to devise new modes of sensitivity, reactivating a common imaginary towards an ethical re-alliance with the atmosphere and environment. Aerocene Constellation 3/2 and its cluster of sculptures elsewhere in the space, construct their form via the scientific experiments that the French National Space Agency conducted during the late 1970s. During his residency at the agency in 2012, Saraceno pursued this research—forgotten for decades—and in Solar Rhythms presented re-modeled versions of the billowing structures. Inflated only by air, lifted only by the Sun and carried only by the wind, these inflatable bodies challenge socio-political atmospheres by trespassing and weaving much needed aerographies anew.
Whilst reconnecting with elemental sources of energy to overcome those extractivist economies of the fossil fuel regime, Solar Rhythms proposes new choreographies and free-floating motifs that propel our aerosolar imaginary forward.