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Worldings
Play-Ground
Life(s) of Webs
Complementarities
Live(s) on Air
Tomás Saraceno in collaboration: Web(s) of Life
Oceans of Air
Silent Autumn
Drift: A cosmic web of thermodynamic rhythms
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Cloud Cities Barcelona
Matter(s) for Conversation and Action
Particular Matter(s)
From Arachnophobia to Arachnophilia
Inter + Play 2
Ha Chi Ki
we do not all breathe the same air
Nggamdu.org
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
AnarcoAracnoAnacroArcano
Du sol au soleil
Webs of Life
Movement
Museo Aero Solar: for an Aerocene era
Interspecies Conversations
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
Radio Galena
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Songs for the Air
Moving Atmospheres
Event Horizon
Aria
Fly with Aerocene Pacha
Invertebrate Rights for “Down to Earth”
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Tomás Saraceno. Aria at Cinema Odeon
Sundial for Spatial Echoes
2-Dimensional Webs Archive/Maps and Traces
Algo-r(h)i(y)thms
Tomás Saraceno at the Venice Biennale 2019
More-than-humans
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
ON AIR
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
“ON AIR live with…”
Spider/Web Oracle Readings Program
Algo-r(h)i(y)thms
Passages of Time
Particular Matter(s) Jam Session
Solar Rhythms
A Thermodynamic Imaginary
Hybrid Webs
How to Entangle the Universe in a Spider Web
Silent Autumn
Gravitational Waves
Our Interplanetary Bodies
Aerosolar Journeys
Stillness in Motion — Cloud Cities
163,000 Light Years
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cloud Cities Barcelona: Rotating Selection of Books
Cosmic Jive: The Spider Sessions
Solar Bell
In Orbit
Ring Bell — Solar Orchestra and the Wind Structures
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
On the Roof: Cloud City
On Space Time Foam
Cloud Cities
14 Billions (Working Title)
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Observatory, Air-Port-City
Poetic Cosmos of the Breath
Flying Garden/Air-Port-City
While enterprises to colonize other planets accelerate, this very same interface between us, the Sun and atmosphere continues to be compromised: carbon emissions fill the air, invisible radio waves develop in a hegemonic algorithm of finance, particulate matter floats inside our lungs. How would breathing feel in a post fossil fuel economy, and what is our response-ability?
Solar Rhythms suggests a model for a landscape that balances our relationship with, and harnesses the unlimited potential of the Sun. This realization requires a thermodynamic leap of imagination, much like during an eclipse, when only in the absence of light do we become aware of our scale in the shadow of the cosmos. In that moment of alignment between Sun, Moon and Earth, we understand that we rely on a reciprocal alliance between the elements and effects, the shifting winds, the exchange of heat and momentum and the diffusing reflection of solar radiation towards the cosmic extent.
The exhibition at Tanya Bonakdar Gallery presented a series of new sculptures and installations that emerged from the ongoing Aerocene project, an interdisciplinary artistic endeavor that seeks to devise new modes of sensitivity, reactivating a common imaginary towards an ethical re-alliance with the atmosphere and environment. Aerocene Constellation 3/2 and its cluster of sculptures elsewhere in the space, construct their form via the scientific experiments that the French National Space Agency conducted during the late 1970s. During his residency at the agency in 2012, Saraceno pursued this research—forgotten for decades—and in Solar Rhythms presented re-modeled versions of the billowing structures. Inflated only by air, lifted only by the Sun and carried only by the wind, these inflatable bodies challenge socio-political atmospheres by trespassing and weaving much needed aerographies anew.
Whilst reconnecting with elemental sources of energy to overcome those extractivist economies of the fossil fuel regime, Solar Rhythms proposes new choreographies and free-floating motifs that propel our aerosolar imaginary forward.