Tomás Saraceno. Aria
Acqua Alta: en Clave de Sol
Spider/Web Pavilion 7
Tomás Saraceno at the Venice Biennale 2019
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
On the Disappearance of Clouds
Spider/Web Oracle Readings Program
Sundial for Spatial Echoes
Webs of At-tent(s)ion
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
A Thermodynamic Imaginary
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Particular Matter(s) Jam Session
How to entangle the universe in a spider/web?
Art Basel Miami – Hans Ulrich Obrist in conversation with Tomás Saraceno
“ON AIR live with…”
Our Interplanetary Bodies
Stillness in Motion — Cloud Cities
How to Entangle the Universe in a Spider Web
163,000 Light Years
Cosmic Jive: The Spider Sessions
Ring Bell — Solar Orchestra and the Wind Structures
14 Billions (Working Title)
On Space Time Foam
Poetic Cosmos of the Breath
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Aerosolar Journeys encompasses the long-term project Aerocene and the metamorphosis of it; from its beginning in the form of Museo Aero Solar to the multidisciplinary global community project it has become. Promoting considerations for alternative life models, Aerosolar Journeys displays how from individual acts, a collective project can emerge.
Aerosolar Journeys presents the project Aerocene, the age of air. In the wake of the Anthropocene, the project promotes common links between social, mental and environmental ecologies. It involves the prototyping of a wide variety of sculptures that float entirely without fossil fuels, gas or solar cells – inflated only by the air, lifted only by the sun, carried only by the wind towards clean and sustainable futures.
To aero-float is to travel in the air without burning fossil fuels, without using solar panels or batteries, and without rare gases. Aerocene holds a message of creativity and cooperation for a world of tumultuous geopolitical relations, reminding us of our symbiotic relationship with the Earth and all its species.
Alongside multiple fascinating sculptural visions, the exhibition shows the beginnings of the Aerocene research, namely Museo Aero Solar (2007–present) an airborne form made solely from reused plastic bags. What began from the premise of a collection has unfolded to be an urgently necessary investigation on coexistence, aeronautics, and architecture, aimed to rethink the way we navigate new territories and venture beyond the rules of gravity. In a fascinating use of the platform of the museum, Museo Aero Solar shows how a collective project can emerge from individual acts, and potentially retake a polluting product and transform it into a mind-expanding material.
Saraceno focuses on considering alternative life models that propose a more sustainable relation to the environment. Through a series of sculptures, objects and installations, Aerosolar Journeys presents the results of a long-term research project conducted through interdisciplinary collaborations with institutions and individuals all over the world.