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Aerocene Seoul
Worldings
Complementarities
Live(s) on Air
Tomás Saraceno in collaboration: Web(s) of Life
Oceans of Air
Entangled Air
Silent Autumn
Play-Ground
Life(s) of Webs
Particular Matter(s)
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Inter + Play 2
we do not all breathe the same air
AnarcoAracnoAnacroArcano
Who qualifies as a Subject of Rights? We no longer want to be a sacrifice zone!
Reparationen und Reparatur. Über Klimagerechtigkeit, Kolonialismus und Kapitalozän
7×7 2024
Life(s) of Webs, Panel Discussion and Film Screening
Aerocircus – eine circensische karnevaleske mit planwagen entgegen aller linearitäten
“The Crisis of Relationships” Masterclass
The Climate Hub, Climate Week NYC, Panel Discussion
Infinite Ecologies Marathon: The Prelude
Towards an Ecosocial Energy Transition: A Conversation and Manifesto
BBC HARDtalk Interview
Du sol au soleil
Matter(s) for Conversation and Action
Webs of Life
Museo Aero Solar: for an Aerocene era
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Drift: A cosmic web of thermodynamic rhythms
Songs for the Air
Moving Atmospheres
Event Horizon
Cloud Cities: du sol au soleil
Cloud Cities Barcelona
Aria
Fly with Aerocene Pacha
Nggamdu.org
Invertebrate Rights for “Down to Earth”
Ha Chi Ki
Tomás Saraceno
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Interspecies Conversations
Movement
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
Radio Galena
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
Tomás Saraceno. Aria at Cinema Odeon
More-than-humans
Tomás Saraceno
ON AIR
Aerographies
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Sundial for Spatial Echoes
2-Dimensional Webs Archive/Maps and Traces
Tomás Saraceno at the Venice Biennale 2019
Solar Rhythms
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
ALBEDO
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
“ON AIR live with…”
A Thermodynamic Imaginary
How to Entangle the Universe in a Spider Web
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Spider/Web Oracle Readings Program
Gravitational Waves
Algo-r(h)i(y)thms
Entangled Orbits
Our Interplanetary Bodies
Passages of Time
Particular Matter(s) Jam Session
Aerosolar Journeys
Stillness in Motion — Cloud Cities
163,000 Light Years
Hybrid Webs
Cosmic Jive: The Spider Sessions
Silent Autumn
Arachnid Orchestra. Jam Sessions
Solar Bell
Ring Bell — Solar Orchestra and the Wind Structures
On the Roof: Cloud City
On Space Time Foam
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cloud Cities
14 Billions (Working Title)
Observatory, Air-Port-City
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
In Orbit
Aerocene at COP21
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Becoming Aerosolar
Cloud-Specific
Biospheres
Lighter than Air
Flying Garden/Air-Port-City
Poetic Cosmos of the Breath
Cumulus
Cosmic Threads
2024
Rope, monofilament, hand blown silver and mirrored glass, transparent and silver mylar, air, pipes, pump
42 x 20 x 5,4 meters
A Permanent Installation at the Planetarium in Copenhagen
…like Galaxies Forming along Filaments, Like Droplets along the Threads of a Spider’s Web…Activating the Planetarium’s unique staircase gallery through forty-two meters of interwoven threads and spheres that rise through the full height of the building, Cosmic Threads invites visitors to contemplate the inter(dis)connected mysteries of the universe with the multiplicity of living cosmovisions, questioning: what if the overview effect is not only at the edge of space?
Echoing the speculative similarities between the spider/web and the filaments of the ever-emerging cosmic web, the artwork’s intricate network—strewn with spheres made of glass and foil—reaches out like the Spiderweb Galaxy [MRC 1138-262], a galaxy cluster with an active galactic nucleus, surrounded by filaments and smaller galaxies, resembling social and solitary spiders on their webs.
These sculptures, hovering as drops of water, will be able to circle the planet using only the heat of the sun and infrared radiation emitted from the Earth’s surface in the Aerocene era—another era that brings back the dream of flying, and other possibilities to reach space without rockets and explosions.*
Follow the river of the wind free from fossil fuels and dare to decolonize space. Can we learn how to feel other orbits while floating at the bottom of an ocean of air and entangle ourselves with terrestrial, aerial and cosmic web(s) of life?**
*In 2012, Saraceno was an artist‑in‑residence at the French Centre National d’Etudes Spatiales (CNES), Paris.
**Aerocene holds 32 world records, recognized by the Fédération Aéronautique Internationale (FAI), for the most sustainable flight in human history.