...
Aerocene Seoul
Worldings
Complementarities
Live(s) on Air
Tomás Saraceno in collaboration: Web(s) of Life
Oceans of Air
Entangled Air
Silent Autumn
Play-Ground
Life(s) of Webs
Particular Matter(s)
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Inter + Play 2
we do not all breathe the same air
AnarcoAracnoAnacroArcano
Who qualifies as a Subject of Rights? We no longer want to be a sacrifice zone!
Reparationen und Reparatur. Über Klimagerechtigkeit, Kolonialismus und Kapitalozän
7×7 2024
Life(s) of Webs, Panel Discussion and Film Screening
Aerocircus – eine circensische karnevaleske mit planwagen entgegen aller linearitäten
“The Crisis of Relationships” Masterclass
The Climate Hub, Climate Week NYC, Panel Discussion
Infinite Ecologies Marathon: The Prelude
Towards an Ecosocial Energy Transition: A Conversation and Manifesto
BBC HARDtalk Interview
Du sol au soleil
Matter(s) for Conversation and Action
Webs of Life
Museo Aero Solar: for an Aerocene era
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Drift: A cosmic web of thermodynamic rhythms
Songs for the Air
Moving Atmospheres
Event Horizon
Cloud Cities: du sol au soleil
Cloud Cities Barcelona
Aria
Fly with Aerocene Pacha
Nggamdu.org
Invertebrate Rights for “Down to Earth”
Ha Chi Ki
Tomás Saraceno
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Interspecies Conversations
Movement
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
Radio Galena
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
Tomás Saraceno. Aria at Cinema Odeon
More-than-humans
Tomás Saraceno
ON AIR
Aerographies
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Sundial for Spatial Echoes
2-Dimensional Webs Archive/Maps and Traces
Tomás Saraceno at the Venice Biennale 2019
Solar Rhythms
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
ALBEDO
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
“ON AIR live with…”
A Thermodynamic Imaginary
How to Entangle the Universe in a Spider Web
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Spider/Web Oracle Readings Program
Gravitational Waves
Algo-r(h)i(y)thms
Entangled Orbits
Our Interplanetary Bodies
Passages of Time
Particular Matter(s) Jam Session
Aerosolar Journeys
Stillness in Motion — Cloud Cities
163,000 Light Years
Hybrid Webs
Cosmic Jive: The Spider Sessions
Silent Autumn
Arachnid Orchestra. Jam Sessions
Solar Bell
Ring Bell — Solar Orchestra and the Wind Structures
On the Roof: Cloud City
On Space Time Foam
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cloud Cities
14 Billions (Working Title)
Observatory, Air-Port-City
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
In Orbit
Aerocene at COP21
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Becoming Aerosolar
Cloud-Specific
Biospheres
Lighter than Air
Flying Garden/Air-Port-City
Poetic Cosmos of the Breath
Cumulus
Infinite Ecologies Marathon: The Prelude brought together key figures across disciplines – including Marina Abramović, Anohni, James Bridle, Cooking Sections, Gabriela De Matos, Manthia Diawara, Brian Eno, Fiscal Harm, Formafantasma, Lina Ghotmeh, Daisy Hildyard, Louisa Hooper, Nabihah Iqbal, Judy Ling Wong, Gabriel Massan, Mariana Mazzucato, Jojo Mehta, Kumi Naidoo, Ventura Profana with Vandria Garcia Corrêa and Ta’Wa Melke, Tomás Saraceno, Nikolaj Schultz, Yinka Shonibare, Natsuko Uchino, Adrián Villar Rojas and Johannes Vogel – to respond to the prompts:
What is underrepresented on the environmental agenda today?
What is not yet on the agenda, but will be in the near future?
Interventions at The Prelude set the agenda for the July 2024 Marathon, and for Serpentine’s actions in the lead-up to it. The Infinite Ecologies Marathon inaugurated Serpentine’s Ecologies initiatives for 2024-2026 and built on Serpentine’s longstanding commitment to artist-led, systems-focused ecological research and initiatives, from the Extinction Marathon (2014) to the General Ecology project (since 2018) and Back to Earth (2020-2022).