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Cosmic Threads
Aerocene Seoul
Worldings
Play-Ground
Complementarities
Live(s) on Air
Corona Australis 38.39
Life(s) of Webs
Cloud Cities: mise-en-Aéroscène
Tomás Saraceno in collaboration: Web(s) of Life
Crux Australis 68.0
Entangled Air
Oceans of Air
Silent Autumn
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Particular Matter(s)
Inter + Play 2
Zonal Harmonic Constellation 170,000; 220,000
we do not all breathe the same air
AnarcoAracnoAnacroArcano
Du sol au soleil
Webs of Life
Museo Aero Solar: for an Aerocene era
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Life(s) of Webs, publication launch at Palazzo Ducale
Songs for the Air
Moving Atmospheres
In Conversation: Tomás Saraceno
Event Horizon
Art Collaboration Kyoto, Online Artist Talk with Tomás Saraceno
Aerocene Forum
Who qualifies as a Subject of Rights? We no longer want to be a sacrifice zone!
Reparationen und Reparatur. Über Klimagerechtigkeit, Kolonialismus und Kapitalozän
7×7 2024
Life(s) of Webs, Panel Discussion and Film Screening
Aerocircus – eine circensische karnevaleske mit planwagen entgegen aller linearitäten
“The Crisis of Relationships” Masterclass
The Climate Hub, Climate Week NYC, Panel Discussion
Infinite Ecologies Marathon: The Prelude
Towards an Ecosocial Energy Transition: A Conversation and Manifesto
BBC HARDtalk Interview
Fly with Aerocene Pacha
Matter(s) for Conversation and Action
Tomás Saraceno
Drift: A cosmic web of thermodynamic rhythms
Cloud Cities: du sol au soleil
Cloud Cities Barcelona
Silent Autumn
Nggamdu.org
Ha Chi Ki
Tomás Saraceno
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Interspecies Conversations
ON AIR
Movement
Aerographies
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
Invertebrate Rights for “Down to Earth”
Radio Galena
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
Tomás Saraceno. Aria at Cinema Odeon
Aria
More-than-humans
Cosmic Filaments
Solar Rhythms
ALBEDO
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Sundial for Spatial Echoes
Tomás Saraceno at the Venice Biennale 2019
2-Dimensional Webs Archive/Maps and Traces
Entangled Orbits
Gravitational Waves
Event Horizon
A Thermodynamic Imaginary
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
Solar Bell Ensemble
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
“ON AIR live with…”
Many suns and worlds
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Spider/Web Oracle Readings Program
Algo-r(h)i(y)thms
163,000 Light Years
Passages of Time
Particular Matter(s) Jam Session
Our Interplanetary Bodies
How to Entangle the Universe in a Spider Web
Aerocene at the Antarctic Biennale
Aerosolar Journeys
Dark Cosmic Web
Stillness in Motion — Cloud Cities
Cloud Cities
Cloud City
Hybrid solitary… semi-social quintet… on cosmic webs…
Cosmic Jive: The Spider Sessions
Becoming Aerosolar
Hybrid Webs
Irisdescent Planet
Arachnid Orchestra. Jam Sessions
Solar Bell
Ring Bell — Solar Orchestra and the Wind Structures
On the Roof: Cloud City
On Space Time Foam
Air-Port-City/Cloud Cities
Cloudy Dunes. When Friedman Meets Bucky on Air-Port-City
Cloud-Specific
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
14 Billions (Working Title)
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
Observatory, Air-Port-City
In Orbit
Aerocene at COP21
Cloud Cities Connectome
From Camogli to San Felipe, spiders weaving stars…
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Biospheres
Cloudy House
Lighter than Air
Microscale, Macroscale, and Beyond: Large-Scale Implications of Small-Scale Experiments
Poetic Cosmos of the Breath
Cumulonimbus/Air-Port-City
Cumulus
Entangled Air
January 20 – May 21, 2023
Haggerty Museum of Art
Marquette University, Milwaukee
For more than two decades, Saraceno has activated projects aimed towards rethinking the co-creation of the atmosphere with the goal of eliminating carbon emissions. The works in Entangled Air speak to Saraceno’s ongoing desire to communicate the extent to which humans, animals and plants relate to the air. Within this codependent ecosystem, humans unequally share the air and disproportionately harm the atmosphere: combustion generated pollutants from burning coal, oil and natural gas have far-reaching impacts on public health and climate change.
Rather than using the term Anthropocene to describe how humankind has become a geological force, Saraceno invokes the term Capitalocene, or the social and ecological result of the exploitation of resources and people in globalized capitalism, to describe the present era. As a hopeful, future-oriented alternative that invites humans to relate differently to energy and natural resources, Saraceno devised Aerocene. This interdisciplinary and experimental movement brings together diverse artists, activists, geographers, philosophers and doers to propose alternative ways of being and operating in the world. Within his studio practice, Saraceno reimagines the notion of entangled air, creating works that are made, shaped, maintained, and moved by the air to inspire a more conscientious coexistence with the atmosphere.
Entangled Air is organized with Dr. Somesh Roy, assistant professor in Mechanical Engineering at Marquette University. Dr. Roy’s research attempts to unravel the mysteries of black carbon, commonly known as soot. He operates within the field of combustion and aerosol science, studying the formation of soot at an atomic level in combustion systems, its dispersion at the atmospheric level, and the perception and mitigation of its impacts on a personal and social level. This exhibition is curated by Emilia Layden, Curator of Collections and Exhibitions, and organized in partnership with Lynne Shumow, Curator for Academic Engagement.