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Worldings
Play-Ground
Life(s) of Webs
Complementarities
Live(s) on Air
Tomás Saraceno in collaboration: Web(s) of Life
Oceans of Air
Silent Autumn
Drift: A cosmic web of thermodynamic rhythms
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Cloud Cities Barcelona
Matter(s) for Conversation and Action
Particular Matter(s)
From Arachnophobia to Arachnophilia
Inter + Play 2
Ha Chi Ki
we do not all breathe the same air
Nggamdu.org
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
AnarcoAracnoAnacroArcano
Du sol au soleil
Webs of Life
Movement
Museo Aero Solar: for an Aerocene era
Interspecies Conversations
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Prototype of Maratus volans (peacock spider), Web of Life (2020) | for a real Augmented Reality
Radio Galena
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Songs for the Air
Moving Atmospheres
Event Horizon
Aria
Fly with Aerocene Pacha
Invertebrate Rights for “Down to Earth”
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Tomás Saraceno. Aria at Cinema Odeon
Sundial for Spatial Echoes
2-Dimensional Webs Archive/Maps and Traces
Algo-r(h)i(y)thms
Tomás Saraceno at the Venice Biennale 2019
More-than-humans
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
ON AIR
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
“ON AIR live with…”
Spider/Web Oracle Readings Program
Algo-r(h)i(y)thms
Passages of Time
Particular Matter(s) Jam Session
Solar Rhythms
A Thermodynamic Imaginary
Hybrid Webs
How to Entangle the Universe in a Spider Web
Silent Autumn
Gravitational Waves
Our Interplanetary Bodies
Aerosolar Journeys
Stillness in Motion — Cloud Cities
163,000 Light Years
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cloud Cities Barcelona: Rotating Selection of Books
Cosmic Jive: The Spider Sessions
Solar Bell
In Orbit
Ring Bell — Solar Orchestra and the Wind Structures
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
On the Roof: Cloud City
On Space Time Foam
Cloud Cities
14 Billions (Working Title)
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Observatory, Air-Port-City
Poetic Cosmos of the Breath
Flying Garden/Air-Port-City
Aerocene Seoul
25.06 – 29.09.2024
Leeum Museum of Art
Seoul, South Korea
Aerocene Seoul has joined the international Aerocene community’s movement, striving for an era where everyone can live and breathe freely. To share Aerocene’s visions and messages, the Leeum Museum of Art presents Aerocene Seoul, a three-month public project that connects Aerocene communities in and around Seoul as part of its public programme ‘Idea Museum’, featuring community activities such as Museo Aero Solar, Aerocene Backpack Workshop, and discursive forums.
Museo Aero Solar
For Aerocene Seoul, stories of eco-social and political imaginaries have been woven together, joining Museo Aero Solar from Argentina, Thailand, and South Korea to form a vast canvas that carries messages of hope and resistance from around the world. Notes and drawings supporting the fight for democracy and free public education have been carried from the Museo built by students at the Universidad de Buenos Aires and the Escuela Puerta Abierta, Argentina. From the Chiang Rai Biennale in Thailand ideas towards more just political structures have been shared. In collaboration with various communities in Yongsan-gu, messages of care and change reflecting environmental concerns have been depicted via the more than 5,000 plastic bags collected in Seoul this past summer. Through more than 40 workshops, participants engaged in assembling these diverse stories into a patchwork that moves towards resilient possible futures. The result is a newly constructed, transnational Museo Aero Solar, a giant, living sculpture installed in the center of the Leeum Museum’s M2. Visitors can walk inside and experience various narratives, functioning as a museum (Museo) within a museum. This process showcases the transformation of plastic bags, typically regarded as waste, into a medium of solidarity that amplifies the voices of the community concerning environmental issues.
Museo Aero Solar is a growing collection of community-built Floating Museums from around the world, an invitation for everyone to reduce, reuse and recycle. Outdoors, they rise to form a space full of air heated only by the sun. Reused plastic bags are cut, pasted and joined together: to date, hundreds of thousands of plastic bags have been rescued from over 50 communities across 30 countries. Through encouraging sensitivity and care to the environment—each manifestation of Museo Aero Solar raises questions of possible futures.
Aerocene Backpack Workshops
Collaborating with prominent regional museums in Seoul, Gwangju, Gyeonggi, Daegu, Daejeon, Busan, Suwon, and Jeju, several Aerocene Backpack Workshops invited participants to come together around this poetic tool for imagining a new era without fossil fuels and new ways of decarbonizing the atmosphere. Providing a message of simplicity, community members were also invited to write messages towards change and hope on the sculpture.
The first workshop was held at the Daegu Art Museum, and the chosen slogan was “No More Apple in Daegu.” The participants discussed the topic and settled on the message after considering the regional situation. Apple cultivation has shifted northward from Daegu to Gangwon-do and other areas, causing farmers to migrate to continue growing apples. Meanwhile, both the Museum of Contemporary Art Busan (MoCA Busan) and the Jeju Museum of Contemporary Art focused on rivers and water. Eulsukdo Ecological Park, where MoCA Busan is located, is widely recognized as a migratory bird site downstream of the Nakdong River. The slogan “Our Water, Home for All” was chosen to acknowledge that rivers and water serve as habitats for both humans and non-humans. Participants in the Jeju Museum of Contemporary Art workshop created the message “Heart of the Wind, Eyes of the Future.” Jeju Island is known as Samdado (meaning ‘Island of Three Abundances’) because of its abundance of “stones, wind, and women,” and the slogan was inspired by the fact that the wind leaves no trace, expressing the desire to keep the earth clean for future generations. In the workshop at the Daejeon Museum of Art, where adolescents participated, the slogan “Our River Reflects Our Future” was chosen by comparing the river to a mirror and discussing how they can enhance their ecological awareness in their respective locations.
The Aerocene Backpack is a portable flight kit enclosing an aerosolar sculpture that floats only with the heat of the sun, without the use of helium, hydrogen, solar panels, batteries or burners, free from fossil fuels. Fully open-source its users are invited to appropriate and improve its functionalities of mechanical, digital and electronic technologies, strengthening a DIT (Do-It-Together) ethos fostered by the Aerocene Community. The Backpack has been borrowed around the world for hundreds of flights.
Korean edition of Aerocene Newspapers I and II
Aerocene Newspapers I and II advocate themes of sustainability, climate justice, art and science, and activism. The first Aerocene Newspaper was published as part of COP21 in 2015, and introduces the concept of the Aerocene project, which aims for a movement for eco-social justice, adrift on air, floating free from fossil fuels, lithium or hydrogen. The second issue of the Aerocene Newspaper emerges from a long-standing collaboration between the communities of the Salinas Grandes and Laguna de Guayatayoc Basin with Aerocene and many other diverse and living collectives over a number of gatherings that took place in 2017, 2020 and 2023. Although these publications are available as PDFs on the Aerocene website, its Korean edition has been specially published for this project to further disseminate the vision of the Aerocene community.