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Heteropoda saracenoi
From arachnophobia to Arachnophilia
Flashing Toilets
Sal de Acá
tomás saracenoi
The Seeds of Flight
Play-Ground: Spider/web vibration, divination… for the terrestrial and cosmic web(s) of life
Recording Aerosolar
A letter from the communities of Salinas Grandes and Laguna de Guayatayoc to Pope Francis
Conviviality
ANIMA∞LE
Cosmic Threads
Aerocene Seoul
Live(s) on Air
Worldings
Radical Playgrounds
Fly with Pacha, Into the Aerocene
Complementarities
Live(s) on Air
Corona Australis 38.39
Life(s) of Webs
Cloud Cities: mise-en-Aéroscène
Tomás Saraceno in collaboration: Web(s) of Life
Crux Australis 68.0
Entangled Air
Oceans of Air
Silent Autumn
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Particular Matter(s)
Inter + Play 2
we do not all breathe the same air
AnarcoAracnoAnacroArcano
Du sol au soleil
Webs of Life
Museo Aero Solar: for an Aerocene era
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Multicultural resonances towards a better future
Life(s) of Webs, publication launch at Palazzo Ducale
In Conversation: Tomás Saraceno
Art Collaboration Kyoto, Online Artist Talk with Tomás Saraceno
Aerocene Forum
Songs for the Air
“Climate Crisis, a Crisis of Imagination”, The G20 International Seminar on Culture and Climate Change
“Culture, cosmologies and climate: building bridges between worldviews for a sustainable future”, The G20 International Seminar on Culture and Climate Change
Moving Atmospheres
Who qualifies as a Subject of Rights? We no longer want to be a sacrifice zone!
Event Horizon
Reparationen und Reparatur. Über Klimagerechtigkeit, Kolonialismus und Kapitalozän
7×7 2024
Life(s) of Webs, Panel Discussion and Film Screening
“The Crisis of Relationships” Masterclass
The Climate Hub, Climate Week NYC, Panel Discussion
Aerocircus – eine circensische karnevaleske mit planwagen entgegen aller linearitäten
Infinite Ecologies Marathon: The Prelude
Towards an Ecosocial Energy Transition: A Conversation and Manifesto
BBC HARDtalk Interview
The Alfarcito Gathering
Matter(s) for Conversation and Action
Tomás Saraceno
Drift: A cosmic web of thermodynamic rhythms
Cloud Cities: du sol au soleil
Cloud Cities Barcelona
Particular Matter(s)
Silent Autumn / Silent Spring
Arachne’s handwoven Spider/Web Map
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Interspecies Conversations
Spatial Echoes of Breath
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Ha Chi Ki
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Invertebrate Rights for “Down to Earth”
Fly with Aerocene Pacha
Radio Galena
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
Tomás Saraceno. Aria at Cinema Odeon
Aria
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
More-than-humans
Cosmic Filaments
Tomás Saraceno
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Aerographies
Spider/Web Oracle Readings Program
Sundial for Spatial Echoes
Tomás Saraceno at the Venice Biennale 2019
2-Dimensional Webs Archive/Maps and Traces
ON AIR
ALBEDO
A Thermodynamic Imaginary
Solar Rhythms
Omega Centauri 3.9
Our Interplanetary Bodies
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
“ON AIR live with…”
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Algo-r(h)i(y)thms
Passages of Time
Particular Matter(s) Jam Session
3 Airborne Self-Assemblies
Event Horizon
How to Entangle the Universe in a Spider Web
Gravitational Waves
Entangled Orbits
Aerosolar Journeys
Nebulous Thresholds
Behind the Artist’s Idea: Aerocene, Lecture at WEF, Davos, Switzerland
Aerocene at the Antarctic Biennale
Architektur als vermutete Zukunft — Symposium im Rahmen der Ausstellung »Frei Otto. Denken in Modellen«
Dark Cosmic Web
Stillness in Motion — Cloud Cities
Solar Bell Ensemble
163,000 Light Years
Cloud City: HAT-P-12
Cloud City
Many suns and worlds
Hybrid solitary… semi-social quintet… on cosmic webs…
Caelum Dust
Becoming Aerosolar
Iridescent Planet
Aerocene at COP21
Hybrid Webs
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cosmic Jive: The Spider Sessions
Solar Bell
Ring Bell — Solar Orchestra and the Wind Structures
Cloud Cities
On the Roof: Cloud City
In Orbit
On Space Time Foam: a Conversation
On Space Time Foam
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
Air-Port-City/Cloud Cities
Cloudy Dunes. When Friedman Meets Bucky on Air-Port-City
Cloud-Specific
14 Billions (Working Title)
Cloud Cities Connectome
From Camogli to San Felipe, spiders weaving stars…
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Biospheres
Tomás Saraceno
Cloudy House
Lighter than Air
Observatory, Air-Port-City
Microscale, Macroscale, and Beyond: Large-Scale Implications of Small-Scale Experiments
Poetic Cosmos of the Breath
Flying Gardens
Cumulonimbus/Air-Port-City
Cumulus
Infinite Actives
When Spheres Meet Spheres From Miami to Cuba
On Air
Spider/Web Pavilion 7
Oracle Readings, Weaving Arachnomancy, Synanthropic Futures: At-ten(t)sion to invertebrate rights!
Spider/webs are nonhuman pavilions, transcending national representation. Weaving in the interstices between branches and door frames after a rain shower, they are oracles of living bodies, scripts of fortune divination, always in dislocation between national pavilions. Entangling cooperative constellations, these multi-being life forms trace maps of attunement to the astral scores.
In the context of the current ecological crisis, named the Sixth Mass Extinction, invertebrates such as arachnids and insects are disappearing at an accelerated pace, with major consequences for the environment and ecosystems. While invertebrates make up more than 95% of animal species, most countries lack ethical guidelines and regulations regarding their nonhuman rights.
Intensive agro-farming and pesticides, global warming and the industrial exploitation of resources add up to the widespread arachnophobia nourished by horror movies and other negative representations of invertebrates, accelerating their biological annihilation and perpetuating an ecological disaster.
Against the mass commodification of nature and the self-destructive cultural and economic power structures of the present, Spider/Web Pavilion 7 engages with different forms of knowledge and echoes spider divination methods practiced in different parts of the world. It celebrates the ability to forecast meteorological events, or extraordinary ones such as tsunamis, through the observation of other species’ behaviour.
Spider/webs are synanthropic: by living among us, they blur the boundaries between inside and outside, between nature and culture and between what is alive and what is not. The Spider/Web Pavilions are an invitation to attune to our sympoietic futures, the radical interconnectedness of all things, both living and nonliving.
Spider/webs are the mouths through which the spider eats and the oracle speaks. The oracle is a messenger between perceptual worlds, transcending the reciprocal blindness between spider/webs and humans. Extending your senses towards new forms of embodied cognition, Spider/Web Pavilion 7 tries to attune to a non-verbal language that amplifies our response-ability to each other. Its floor shakes at very low frequencies, at the rhythm of vibrating spider/webs, inaudible and yet sensible for the voices we might need to hear.
The sun’s rays are guided by a series of mirrors, directly illuminating the spider/web, extending its reverberation into a cosmic web of connections. Over the course of the Biennale Arte 2019, spider/webs from the Giardini and the Venetian Lagoon may appear and leave new threads. As a sensitive interface constantly modified by different sociabilities, the pavilion serves as a space of care and attention, to multiply perspectives and weave a participatory storytelling against extraction and extinction.
Amid the hills and galaxies, starlight exposure, she sews together earth and sky to illuminate the night and help wandering beings find their paths. Please remember that baser passions could interrupt her balance of ecosystemic forces when asking your question.
The Arachnomancy Cards (2019) are an invitation to attune to our sympoietic futures: created on the occasion of the 58th International Art Exhibition – Biennale Arte 2019, curated by Ralph Rugoff, they celebrate the radical interconnectedness of all things, both living and nonliving.
This deck of 33 cards is an instrument of mediation, one of the many ways to consult spider/web oracles. Spider/webs are the mouths through which the spider eats and the oracle speaks. The oracle is a messenger between perceptual worlds, transcending the reciprocal blindness between life forms. Spider/webs weave worlds of vibration in tune to the astral scores. Sense new threads of connectivity, or else face the eternal silence of extinction. As life draws lines on your hands, so the spider draws lines on your future. The Arachnomancy reading is written through the silken threads of the spider/web…
You are invited to participate in this chorus of voices, to join in the proliferation of spider/web stories and worlds, to weave the fabric of an Arachnocene! Download the Arachnomancy App (iOS/Android) to help you find the other Spider/Web Pavilions and encounter their oracles, joining a collective exercise of mapping against extinction.
For more information visit www.arachnophilia.net, a living archive of coexistences.
