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Heteropoda saracenoi
From arachnophobia to Arachnophilia
Flashing Toilets
Sal de Acá
tomás saracenoi
The Seeds of Flight
Play-Ground: Spider/web vibration, divination… for the terrestrial and cosmic web(s) of life
Recording Aerosolar
A letter from the communities of Salinas Grandes and Laguna de Guayatayoc to Pope Francis
Conviviality
ANIMA∞LE
Cosmic Threads
Aerocene Seoul
Live(s) on Air
Worldings
Radical Playgrounds
Fly with Pacha, Into the Aerocene
Complementarities
Live(s) on Air
Corona Australis 38.39
Life(s) of Webs
Cloud Cities: mise-en-Aéroscène
Tomás Saraceno in collaboration: Web(s) of Life
Crux Australis 68.0
Entangled Air
Oceans of Air
Silent Autumn
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Particular Matter(s)
Inter + Play 2
we do not all breathe the same air
AnarcoAracnoAnacroArcano
Du sol au soleil
Webs of Life
Museo Aero Solar: for an Aerocene era
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Multicultural resonances towards a better future
Life(s) of Webs, publication launch at Palazzo Ducale
In Conversation: Tomás Saraceno
Art Collaboration Kyoto, Online Artist Talk with Tomás Saraceno
Aerocene Forum
Songs for the Air
“Climate Crisis, a Crisis of Imagination”, The G20 International Seminar on Culture and Climate Change
“Culture, cosmologies and climate: building bridges between worldviews for a sustainable future”, The G20 International Seminar on Culture and Climate Change
Moving Atmospheres
Who qualifies as a Subject of Rights? We no longer want to be a sacrifice zone!
Event Horizon
Reparationen und Reparatur. Über Klimagerechtigkeit, Kolonialismus und Kapitalozän
7×7 2024
Life(s) of Webs, Panel Discussion and Film Screening
“The Crisis of Relationships” Masterclass
The Climate Hub, Climate Week NYC, Panel Discussion
Aerocircus – eine circensische karnevaleske mit planwagen entgegen aller linearitäten
Infinite Ecologies Marathon: The Prelude
Towards an Ecosocial Energy Transition: A Conversation and Manifesto
BBC HARDtalk Interview
The Alfarcito Gathering
Matter(s) for Conversation and Action
Tomás Saraceno
Drift: A cosmic web of thermodynamic rhythms
Cloud Cities: du sol au soleil
Cloud Cities Barcelona
Particular Matter(s)
Silent Autumn / Silent Spring
Arachne’s handwoven Spider/Web Map
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Interspecies Conversations
Spatial Echoes of Breath
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Ha Chi Ki
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Invertebrate Rights for “Down to Earth”
Fly with Aerocene Pacha
Radio Galena
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
Tomás Saraceno. Aria at Cinema Odeon
Aria
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
More-than-humans
Cosmic Filaments
Tomás Saraceno
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Aerographies
Spider/Web Oracle Readings Program
Sundial for Spatial Echoes
Tomás Saraceno at the Venice Biennale 2019
2-Dimensional Webs Archive/Maps and Traces
ON AIR
ALBEDO
A Thermodynamic Imaginary
Solar Rhythms
Omega Centauri 3.9
Our Interplanetary Bodies
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
“ON AIR live with…”
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Algo-r(h)i(y)thms
Passages of Time
Particular Matter(s) Jam Session
3 Airborne Self-Assemblies
Event Horizon
How to Entangle the Universe in a Spider Web
Gravitational Waves
Entangled Orbits
Aerosolar Journeys
Nebulous Thresholds
Behind the Artist’s Idea: Aerocene, Lecture at WEF, Davos, Switzerland
Aerocene at the Antarctic Biennale
Architektur als vermutete Zukunft — Symposium im Rahmen der Ausstellung »Frei Otto. Denken in Modellen«
Dark Cosmic Web
Stillness in Motion — Cloud Cities
Solar Bell Ensemble
163,000 Light Years
Cloud City: HAT-P-12
Cloud City
Many suns and worlds
Hybrid solitary… semi-social quintet… on cosmic webs…
Caelum Dust
Becoming Aerosolar
Iridescent Planet
Aerocene at COP21
Hybrid Webs
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cosmic Jive: The Spider Sessions
Solar Bell
Ring Bell — Solar Orchestra and the Wind Structures
Cloud Cities
On the Roof: Cloud City
In Orbit
On Space Time Foam: a Conversation
On Space Time Foam
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
Air-Port-City/Cloud Cities
Cloudy Dunes. When Friedman Meets Bucky on Air-Port-City
Cloud-Specific
14 Billions (Working Title)
Cloud Cities Connectome
From Camogli to San Felipe, spiders weaving stars…
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Biospheres
Tomás Saraceno
Cloudy House
Lighter than Air
Observatory, Air-Port-City
Microscale, Macroscale, and Beyond: Large-Scale Implications of Small-Scale Experiments
Poetic Cosmos of the Breath
Flying Gardens
Cumulonimbus/Air-Port-City
Cumulus
Infinite Actives
When Spheres Meet Spheres From Miami to Cuba
On Air
ON AIR is an emerging ecosystem that hosts a choreography of multiple voices belonging to human and non-human universes and in which works reveal common, fragile and ephemeral rhythms and trajectories linking these worlds. ON AIR is comprised of the myriad presences, animate and inanimate, that meet and cohabit within it.
The exhibition functions as an ensemble, revealing the strength of the various entities floating in the air and the ways in which they interact with us: from CO2 to cosmic dust, from radio waves to reimagined corridors of movement. Thus, when breath becomes air, the invisible histories that compose the nature of which we are a part of invite us to poetically reimagine our ways of inhabiting the world—and of being human.
As industrial extraction mines the Earth for resources, threatening entire ecologies, ON AIR celebrates new ways of thinking and new modes of knowledge production that point the way to a planet free of borders and fossil fuels. In so doing, the exhibition responds to the debate and global challenges posed by the Anthropocene, a word coined to define an epoch in which human activity leaves an impact so great that it profoundly modifies terrestrial ecosystems.
ON AIR gathers numerous collaborators and collaborations, bringing together scientific institutions, research groups, activists, local communities, visitors, musicians, philosophers, non-human animals and celestial phenomena, all of whom collectively take part in the evolution of the exhibition. Workshops, concerts, and public talks will regularly transform the exhibition into a ‘cosmic jam session’, animating ON AIR with new encounters and assemblies that appear out of this togetherness as part of nascent rhythms of interspecies solidarity …
Eclipse of the Aerocene Explorer, 2016. Performance in Salar de Uyuni, Bolivia, January 2016, during Tomás Saraceno’s artistic expedition.
W7029E16, 2018. From the series Printed Matter, printed with black carbon pm 2.5 pollution, extracted from the air. Image from a special issue of NASA Cosmic Dust Catalogue, April 1982, p85.
… the cosmic web is a vibrant superorganism—its filamentary networks of assembling dark matter providing the mesh on which the large-scale structure of the universe is composed …
Aerocene, launches in White Sands (NM, United States), 2015.
… when breath becomes air, the invisible histories that compose the nature of which we are a part of, invite us to poetically reimagine our ways of inhabiting the world—and of being human …
A Thermodynamic Imaginary, 2018. Installation view at ON AIR, Carte Blanche exhibition to Tomás Saraceno, Palais de Tokyo, Paris, 2018.
A Thermodynamic Imaginary, 2018. © Photography by Andrea Rossetti, 2018.
Quasi-social musical instrument IC 342 built by: 7000 Parawixia bistriata – six months, 2017. Installation view, How to Entangle the Universe in a Spider Web at Museo de Arte Moderno de Buenos Aires.
Sounding the Air, 2018. Installation view at ON AIR, carte blanche exhibition to Tomás Saraceno, Palais de Tokyo, Paris, 2018. With the generous support of IRCAM and FOCAL. Courtesy of the artist and neugerriemschneider (Berlin).
“The ability of the spider to use as little as possible to suspend herself in air with a barely visible architecture of threads spun out of her body is a model for suspending ourselves above the planet in bubbles energized only by the sun.”
Aerocene Tata Inti performance. Salinas Grandes, Jujuy, Argentina, August 7, 2017.
Aeolus 483.8, 2018.
Webs of At-tent(s)ion, 2018. Installation view at ON AIR, carte blanche exhibition to Tomás Saraceno, Palais de Tokyo, Paris, 2018. Courtesy of the artist and neugerriemschneider (Berlin).
Webs of At-tent(s)ion, 2018. Installation view at ON AIR, carte blanche exhibition to Tomás Saraceno, Palais de Tokyo, Paris, 2018. Courtesy of the artist and neugerriemschneider (Berlin).
What do you see when you look at an interplanetary dust particle? Is there anything at all given to sight or to thought while you contemplate it? […] Sure, you can try to conjure up the period when our solar system was coming together, condensing from gaseous and dusty clouds, their singular survivor now physically captured by you. But what do 4.6 billion years (the approximate duration that separates your “now” from space dust’s “then”) say to you?
The Politics of Solar Rhythms: Cosmic levitation, 2018. Installation view at ON AIR, carte blanche exhibition to Tomás Saraceno, Palais de Tokyo, Paris, 2018. With thanks to Heinrich Jaeger (Jaeger Lab, James Franck Institute at the University of Chicago). © Photography by Andrea Rossetti, 2018.
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