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Heteropoda saracenoi
From arachnophobia to Arachnophilia
Flashing Toilets
Sal de Acá
tomás saracenoi
The Seeds of Flight
Play-Ground: Spider/web vibration, divination… for the terrestrial and cosmic web(s) of life
Recording Aerosolar
A letter from the communities of Salinas Grandes and Laguna de Guayatayoc to Pope Francis
Conviviality
ANIMA∞LE
Cosmic Threads
Aerocene Seoul
Live(s) on Air
Worldings
Radical Playgrounds
Fly with Pacha, Into the Aerocene
Complementarities
Live(s) on Air
Corona Australis 38.39
Life(s) of Webs
Cloud Cities: mise-en-Aéroscène
Tomás Saraceno in collaboration: Web(s) of Life
Crux Australis 68.0
Entangled Air
Oceans of Air
Silent Autumn
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Particular Matter(s)
Inter + Play 2
we do not all breathe the same air
AnarcoAracnoAnacroArcano
Du sol au soleil
Webs of Life
Museo Aero Solar: for an Aerocene era
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Multicultural resonances towards a better future
Life(s) of Webs, publication launch at Palazzo Ducale
In Conversation: Tomás Saraceno
Art Collaboration Kyoto, Online Artist Talk with Tomás Saraceno
Aerocene Forum
Songs for the Air
“Climate Crisis, a Crisis of Imagination”, The G20 International Seminar on Culture and Climate Change
“Culture, cosmologies and climate: building bridges between worldviews for a sustainable future”, The G20 International Seminar on Culture and Climate Change
Moving Atmospheres
Who qualifies as a Subject of Rights? We no longer want to be a sacrifice zone!
Event Horizon
Reparationen und Reparatur. Über Klimagerechtigkeit, Kolonialismus und Kapitalozän
7×7 2024
Life(s) of Webs, Panel Discussion and Film Screening
“The Crisis of Relationships” Masterclass
The Climate Hub, Climate Week NYC, Panel Discussion
Aerocircus – eine circensische karnevaleske mit planwagen entgegen aller linearitäten
Infinite Ecologies Marathon: The Prelude
Towards an Ecosocial Energy Transition: A Conversation and Manifesto
BBC HARDtalk Interview
The Alfarcito Gathering
Matter(s) for Conversation and Action
Tomás Saraceno
Drift: A cosmic web of thermodynamic rhythms
Cloud Cities: du sol au soleil
Cloud Cities Barcelona
Particular Matter(s)
Silent Autumn / Silent Spring
Arachne’s handwoven Spider/Web Map
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Interspecies Conversations
Spatial Echoes of Breath
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Ha Chi Ki
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Invertebrate Rights for “Down to Earth”
Fly with Aerocene Pacha
Radio Galena
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
Tomás Saraceno. Aria at Cinema Odeon
Aria
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
More-than-humans
Cosmic Filaments
Tomás Saraceno
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Aerographies
Spider/Web Oracle Readings Program
Sundial for Spatial Echoes
Tomás Saraceno at the Venice Biennale 2019
2-Dimensional Webs Archive/Maps and Traces
ON AIR
ALBEDO
A Thermodynamic Imaginary
Solar Rhythms
Omega Centauri 3.9
Our Interplanetary Bodies
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
“ON AIR live with…”
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Algo-r(h)i(y)thms
Passages of Time
Particular Matter(s) Jam Session
3 Airborne Self-Assemblies
Event Horizon
How to Entangle the Universe in a Spider Web
Gravitational Waves
Entangled Orbits
Aerosolar Journeys
Nebulous Thresholds
Behind the Artist’s Idea: Aerocene, Lecture at WEF, Davos, Switzerland
Aerocene at the Antarctic Biennale
Architektur als vermutete Zukunft — Symposium im Rahmen der Ausstellung »Frei Otto. Denken in Modellen«
Dark Cosmic Web
Stillness in Motion — Cloud Cities
Solar Bell Ensemble
163,000 Light Years
Cloud City: HAT-P-12
Cloud City
Many suns and worlds
Hybrid solitary… semi-social quintet… on cosmic webs…
Caelum Dust
Becoming Aerosolar
Iridescent Planet
Aerocene at COP21
Hybrid Webs
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cosmic Jive: The Spider Sessions
Solar Bell
Ring Bell — Solar Orchestra and the Wind Structures
Cloud Cities
On the Roof: Cloud City
In Orbit
On Space Time Foam: a Conversation
On Space Time Foam
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
Air-Port-City/Cloud Cities
Cloudy Dunes. When Friedman Meets Bucky on Air-Port-City
Cloud-Specific
14 Billions (Working Title)
Cloud Cities Connectome
From Camogli to San Felipe, spiders weaving stars…
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Biospheres
Tomás Saraceno
Cloudy House
Lighter than Air
Observatory, Air-Port-City
Microscale, Macroscale, and Beyond: Large-Scale Implications of Small-Scale Experiments
Poetic Cosmos of the Breath
Flying Gardens
Cumulonimbus/Air-Port-City
Cumulus
Infinite Actives
When Spheres Meet Spheres From Miami to Cuba
On Air
Aerocene is an era to live and breathe in; a stateless state, both tethered and free floating; a name for change. Aerocene is an era free from borders and fossil fuels, a common imaginary towards an ethical re-alliance with the environment, the planet and the cosmic/web of life to emerge beyond Anthropocentrism. It is an invitation to change our most harmful attitudes through divergent modes of being to assure an atmosphere of ecological sensitivity and the very possibility of cleaner, brighter futures.
The Aerocene Foundation was invited to the 17th International Architecture Exhibition – La Biennale di Venezia curated by Hashim Sarkis. Presented as a constellation of stories and Aero(s)cenic journeys, the possibilities for living together—not only with ourselves, but with the geos, bios and cosmos surrounding our web of relations—are told through the myriad of collaborators that make up the Foundation’s international community. Two films — Aerocene, launches at White Sands, NM United States (2016) and Pacha (2020) — are presented together with Museo Aero Solar Reconquista and the Aerocene Backpack.
Museo Aero Solar, initiated in 2007, is an open and growing collection of community-built Floating Museums from around the world. Reused plastic bags are cut, pasted and joined together to create canvases on which personal stories are drawn and written. They are an open invitation for everyone to reduce, reuse and recycle, turning a notorious material of our current geological epoch, the anthropocene, into a mind-expanding material located in the Aerocene era.
The Museo Aero Solar presented in Venice was realized in Buenos Aires, Argentina by almost 200 Aerocene community members beginning in 2018 for a duration of two years. It embodies the stories, relationships and struggles of incarcerated peoples who chose to participate in the sculpture’s construction at an educational space within Criminal Unit No. 48 of the Buenos Aires Penitentiary Service. Today, their stories rise up. In the era of Aerocene, there are millions of associations, communities and connections. By being together, we engage in the conversation around terrestrial power structures including borders and punitive control—elements whose barriers discriminate disproportionately, but whose stories impact us all.
Anyone anywhere can build a Museo Aero Solar using the set of instructions accessible through Aerocene.org, and a Do-It-Together (DIT) ethos fostered by the Aerocene community. To date, hundreds of thousands of plastic bags have been rescued from over 50 communities across more than 30 countries in an act that embodies an ethos of care and response-ability. We invite you to bring your plastic bags to the pavilion to be repurposed and join in this building of a more inclusive, regenerative world, collectively imagining a future free from fossil fuels.
Museo Aero Solar Reconquista
Aerocene Foundation
Created by the UNSAM, IAMK and Laboratorio inflable
Museo Aero Solar communities and coordinated by Carlos Almeida.
Some scientists maintain that the Anthropocene, our current epoch that is marked by human impact on biodiversity and climate, may have begun on July 16th 1945, at White Sands (USA), with the detonation of the first atomic bomb. 70 years later, in the exact same location, the Aerocene community conducted a human flight, using only the power of the sun. The fully solar, tethered flight of Aerocene D-OAEC broke several world records by achieving the first, longest and most sustainable, manned flight of its kind—without fossil fuels, solar panels, helium or batteries.
Then, on Jan 25, 2020, 32 world records were set by Aerocene Pacha lifting the message “Water and Life are Worth More than Lithium” by the communities of Salinas Grandes, Jujuy, Argentina. Named after Pacha Mama, the Andean concept that connects what lies below and above the Earth’s surface with the furthest reaches of the cosmos, uniting space and time, the flight united the Aerocene community with the 33 native communities of Salinas Grandes.
The Aerocene Backpack: a portable flight kit enclosing an aerosolar sculpture that floats only with the heat of the sun, without the use of helium, hydrogen, solar panels, batteries or burners, free from fossil fuels. Fully open-source, the Backpack has been borrowed around the world for hundreds of flights.
To discover more of the Foundation’s projects, visit aerocene.org or download the Aerocene app via the App Store or Google Play.
Images: Licensed under CC BY-SA 4.0 by Aerocene Foundation.




