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Heteropoda saracenoi
From arachnophobia to Arachnophilia
Flashing Toilets
Sal de Acá
tomás saracenoi
The Seeds of Flight
Play-Ground: Spider/web vibration, divination… for the terrestrial and cosmic web(s) of life
Recording Aerosolar
A letter from the communities of Salinas Grandes and Laguna de Guayatayoc to Pope Francis
Conviviality
ANIMA∞LE
Cosmic Threads
Aerocene Seoul
Live(s) on Air
Worldings
Radical Playgrounds
Fly with Pacha, Into the Aerocene
Complementarities
Live(s) on Air
Corona Australis 38.39
Life(s) of Webs
Cloud Cities: mise-en-Aéroscène
Tomás Saraceno in collaboration: Web(s) of Life
Crux Australis 68.0
Entangled Air
Oceans of Air
Silent Autumn
Aerocene: Free the Air. “Orbit-s” For a Post-Fossil Fuel Era
Particular Matter(s)
Inter + Play 2
we do not all breathe the same air
AnarcoAracnoAnacroArcano
Du sol au soleil
Webs of Life
Museo Aero Solar: for an Aerocene era
How to hear the universe in a spider/web: A live concert for/by invertebrate rights
Multicultural resonances towards a better future
Life(s) of Webs, publication launch at Palazzo Ducale
In Conversation: Tomás Saraceno
Art Collaboration Kyoto, Online Artist Talk with Tomás Saraceno
Aerocene Forum
Songs for the Air
“Climate Crisis, a Crisis of Imagination”, The G20 International Seminar on Culture and Climate Change
“Culture, cosmologies and climate: building bridges between worldviews for a sustainable future”, The G20 International Seminar on Culture and Climate Change
Moving Atmospheres
Who qualifies as a Subject of Rights? We no longer want to be a sacrifice zone!
Event Horizon
Reparationen und Reparatur. Über Klimagerechtigkeit, Kolonialismus und Kapitalozän
7×7 2024
Life(s) of Webs, Panel Discussion and Film Screening
“The Crisis of Relationships” Masterclass
The Climate Hub, Climate Week NYC, Panel Discussion
Aerocircus – eine circensische karnevaleske mit planwagen entgegen aller linearitäten
Infinite Ecologies Marathon: The Prelude
Towards an Ecosocial Energy Transition: A Conversation and Manifesto
BBC HARDtalk Interview
The Alfarcito Gathering
Matter(s) for Conversation and Action
Tomás Saraceno
Drift: A cosmic web of thermodynamic rhythms
Cloud Cities: du sol au soleil
Cloud Cities Barcelona
Particular Matter(s)
Silent Autumn / Silent Spring
Arachne’s handwoven Spider/Web Map
Lignes de possibles: Arachnophilia with Tomás Saraceno at the Festival La Manufacture d’idées
Interspecies Conversations
Spatial Echoes of Breath
Avec qui venez-vous? Vinciane Despret in conversation with Tomás Saraceno
Ha Chi Ki
The Art of Noticing – Louisiana Channel Interviews Tomás Saraceno
Free the Air: Aerocene – Tomás Saraceno holds keynote speech at Herald Design Forum
Invertebrate Rights for “Down to Earth”
Fly with Aerocene Pacha
Radio Galena
Up Close: Tomás Saraceno in conversation with Harriet A. Washington
Tomás Saraceno. Aria at Cinema Odeon
Aria
Arachnophilia Community Meeting with MIT Professor Markus J Buehler
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
More-than-humans
Cosmic Filaments
Tomás Saraceno
Spider/Web Pavilion 7
Arachnomancy Cards
Acqua Alta: en Clave de Sol
On the Disappearance of Clouds
Aerographies
Spider/Web Oracle Readings Program
Sundial for Spatial Echoes
Tomás Saraceno at the Venice Biennale 2019
2-Dimensional Webs Archive/Maps and Traces
ON AIR
ALBEDO
A Thermodynamic Imaginary
Solar Rhythms
Omega Centauri 3.9
Our Interplanetary Bodies
Art Basel Miami – Albedo | Hans Ulrich Obrist in conversation with Tomás Saraceno
“ON AIR live with…”
How to entangle the universe in a spider/web?
Printed Matter(s)
Webs of At-tent(s)ion
The Politics of Solar Rhythms: Cosmic Levitation
Living at the bottom of the ocean of air
Sounding the Air
Algo-r(h)i(y)thms
Passages of Time
Particular Matter(s) Jam Session
3 Airborne Self-Assemblies
Event Horizon
How to Entangle the Universe in a Spider Web
Gravitational Waves
Entangled Orbits
Aerosolar Journeys
Nebulous Thresholds
Behind the Artist’s Idea: Aerocene, Lecture at WEF, Davos, Switzerland
Aerocene at the Antarctic Biennale
Architektur als vermutete Zukunft — Symposium im Rahmen der Ausstellung »Frei Otto. Denken in Modellen«
Dark Cosmic Web
Stillness in Motion — Cloud Cities
Solar Bell Ensemble
163,000 Light Years
Cloud City: HAT-P-12
Cloud City
Many suns and worlds
Hybrid solitary… semi-social quintet… on cosmic webs…
Caelum Dust
Becoming Aerosolar
Iridescent Planet
Aerocene at COP21
Hybrid Webs
Tomás Saraceno’s Cloud Cities and Solar Balloon Travel – Interview with The Creators Project
Cosmic Jive: The Spider Sessions
Solar Bell
Ring Bell — Solar Orchestra and the Wind Structures
Cloud Cities
On the Roof: Cloud City
In Orbit
On Space Time Foam: a Conversation
On Space Time Foam
Moving Beyond Materiality – MIT Visiting Artist Tomás Saraceno
Air-Port-City/Cloud Cities
Cloudy Dunes. When Friedman Meets Bucky on Air-Port-City
Cloud-Specific
14 Billions (Working Title)
Cloud Cities Connectome
From Camogli to San Felipe, spiders weaving stars…
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
Biospheres
Tomás Saraceno
Cloudy House
Lighter than Air
Observatory, Air-Port-City
Microscale, Macroscale, and Beyond: Large-Scale Implications of Small-Scale Experiments
Poetic Cosmos of the Breath
Flying Gardens
Cumulonimbus/Air-Port-City
Cumulus
Infinite Actives
When Spheres Meet Spheres From Miami to Cuba
On Air
Live(s) on Air
24.02 – 04.05.2024
Tanya Bonakdar Gallery
Los Angeles, USA
In Live(s) on Air, a solo exhibition of new works by Tomás Saraceno, participants are into a meditation on forms of life and life-forming that shapes the possibilities for eco-social interdependence. Through an entanglement of bodies and elemental forces, the exhibition reveals the material and immaterial dynamics that have come to characterize the anthropocentric inequality and injustice of the present. Across sculpture, works on paper, and film, the exhibition proposes new movements for cohabitation and being on Earth today.
In the main space, a new body of work invites visitors to attune with bodies and forces on air. Encountered through a re-coding of color and temperature, Saraceno’s cloud and foam sculptures propose complex geometric systems of fractal color through which light illuminates in myriad constellations. From the nacreous glow of spider/webs, to the energetic heat evidenced by a star’s celestial color, the artist has long sought to make visible the spectral hues and synesthetic vectors that shape the cosmic web. A series of infrared photography suggests an era beyond the use of aerodynamics; here, temperature measurements rendered in colors reveal the thermodynamic vitality in the bodies of “lighter than air” aerosolar flight. In suspended sculptures, the allure of iridescence—the phenomena of luminous color produced by a particular intersection of light and viewing angle—becomes an allegory for a rapidly warming planet.
The front gallery will feature sculptures in tones that reference the Earth’s flora and fauna, reflecting seasonal difference and interspecies vernacularity. Developed in consultation with ornithologists and wildlife organizations, some of these sculptures can be placed outdoors providing functional habitats for a range of animals, as meditations on biodiversity and interspecies cohabitation. Their modular structures are inspired by cumulonimbus clouds and are part of Saraceno’s ongoing project Cloud Cities—a proposal for an alternative form of urbanism and assembly that might emerge when large cities are not built from a solely human perspective. Ownership of these works requires an agreement of co-ownership and shared stewardship of the environment.
The exhibition will also feature Fly with Pacha, Into the Aerocene, a film that portrays the long-standing relationship between the artist, the Aerocene community he founded, and the Communities of Salinas Grandes and Laguna de Guayatayoc in Jujuy, Northern Argentina. The film documents the communities’ struggles to protect their land against industrial lithium mining, driven by the demand for batteries in the name of a so-called ‘green transition’. In reality, these efforts are depleting water resources in the region and contaminating the Earth. The film follows flight of an aerosolar balloon, which broke 32 world records, over the Salinas Grandes. Lifted only by the heat of the sun and carried along the rivers of the wind, Pacha was recognized as the most sustainable flight in human history by the Fédération Aéronautique Internationale (FAI), carrying the message “Water and Life are Worth More than Lithium” written by the communities.
Visitors to the gallery’s reading room are invited to participate in a collective, inter-generational artwork for the benefit of the Communities of Salinas Grandes and Laguna de Guayatayoc. Renewing the practice of reading messages drawn in the sky through the phenomenon of pareidolia—the impulse that leads us to recognize significant patterns in ‘random’ information—visitors can draw on cloudscapes and in turn become part of a community for the free circulation of water, information and life. A new signed Aerocene edition will also be available for purchase, the entire proceeds of which will support the communities’ ongoing legal and stewardship efforts.
A final gallery contains works that delve more deeply into Saraceno’s collaborative work with spiders. Beginning almost two decades ago, this project has led to the formation of Arachnophilia: an interdisciplinary, distributed and intercultural community that syncretizes artistic, scientific and situated knowledges through a shared affinity to spider/webs. This darkened gallery includes works woven in authorship by and with spiders that live alongside the artist at his studio in Berlin, Germany. By showcasing the meshwork of spider webs the artist hopes to encourage those who experience a fear of spiders (arachnophobia) to move toward a love and wonder of them (arachnophilia). More importantly, this ongoing exploration functions as both model and metaphor, celebrating extra-human technologies of sensing, and settlement, offering a more sensitive, collaborative way of life on Earth.





