Spider/Web Pavilion 7
Aero(s)cene: When breath becomes air, when atmospheres become the movement for a post fossil fuel era against carbon-capitalist clouds
Beyond the Cradle 2019: Space and the Arts
Engadin Art Talks: Grace and Gravity
Webs of At-tent(s)ion
The Politics of Solar Rhythms: Cosmic Levitation
Sounding the Air
Passages of Time
Particular Matter(s) Jam Session
A Thermodynamic Imaginary
How to entangle the universe in a spider/web?
Art Basel Miami – Hans Ulrich Obrist in conversation with Tomás Saraceno
“ON AIR live with…”
Our Interplanetary Bodies
Stillness in Motion — Cloud Cities
163,000 Light Years
On Space Time Foam
How to Entangle the Universe in a Spider Web
Ring Bell — Solar Orchestra and the Wind Structures
14 Billions (Working Title)
Poetic Cosmos of the Breath
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web
The artwork On the Disappearance of Clouds (2019) presents a post fossil fuel, emergent cloudscape in a tidal scenography, where the moon’s gravitational pull duets with the rising sea phases of global warming. Cluster-like structures inspired by the Weaire-Phelan geometry of aggregating foam and soap bubbles. Moving into ongoing Aero(s)cenes they resonate with Aerocene, a global community building a new ecology of practice and reactivating a common imaginary towards an ethical collaboration with the atmosphere and the environment, free from borders, free from fossil fuels.
These Aero(s)cenes oscillate throughout the day at the rhythm of the sea tides, performing an elemental choreography. The directors of this aerial theatre range from planetary drifts of carbon-capitalist clouds to the anthropo-cumulus of the petrochemical pole of Porto Marghera towering over the bells of the San Francesco della Vigna Church, appearing on shifting horizons.
Water and air, planets and stars, are tied by cycles of transformation. Every change is refracted in this fragile tension, calling for new ways of thinking, feeling and knowing multiple atmospheric threads of interconnection. Through this composition, the rising tides of Venice generate the rhythms of a new era that allows us to hear beyond our range of attention. As carbon clouds become readable, global warming become audible, forecasting the many urgent scenarios of displacement triggered by their reverberation across the disrupted planet’s ecosystems.
Clouds are disappearing. As CO2 and other atmospheric pollutants rise, new clouds of a noxious nature arise with them, in turn dispersing the tropospheric clouds whose reflectivity sustain the planetary thermic balance.
The intermittent signal of the artwork Acqua Alta: En Clave de Sol (2019) resounds through the Gaggiandre at the frequency of the tidal phases, making audible the urgent voices of sea levels as they rise, its lifeforms and the anthropogenic noise pollution that affects them. Synchronously, the sun draws sound waves in light of acqua alta, reflecting a score in elemental motion, composing in clave de sol.
In the blurred figure of space, nudging and bending as the waters rise, we come to understand that we rely on a reciprocal alliance between the elements and effects, the shifting winds, the exchange of heat and momentum and the rippling pull of the lunar cycle. Clouds floating at the bottom of an ocean of air become the notations of a score that calls for this needed awareness. Aero(s)cene proposes how to float differently, re-examining freedom of movement whilst preserving earthly cloudscapes, resonating across planetary boundaries.