For his first large-scale solo presentation in Taiwan, Interwoven, Tomás Saraceno invites audiences into a movement of relations. Gathering works from more than two decades of collectively-driven artistic research, the exhibition centers convivial entanglements and modes of cohabitation that sense and think-with other forms of life.
El Santuario del Agua (The Sanctuary of Water) is being conceived for and with the Indigenous communities of Salinas Grandes, with the support of Haus der Kunst in Munich, Germany, Aerocene Foundation, Studio Tomás Saraceno, and many others. It is carried forward by the leading role and constant presence of the 11 communities that form the Red Atacama Community of Salinas Grandes.
Tomás Saraceno’s Cloud Cities New York reveals a vision of connection across human-drawn divisions. The suspended sculpture’s iridescent forms shift over the changing light of day, reflecting travelers from every horizon, contemplating a cloudscape that unites us all.
Rising 33 metres above the banks of the Limfjord, Cloud City Aalborg is a groundbreaking, permanent sculpture, conceived as a vertical plaza at play, for and with the communities of Aalborg. This transformative artwork—accessible to more than 100 people at a time—will mark an extraordinary moment where art takes the scale of architecture to redefine social space and collective imagination.